this as necessary, sends them the material, they see it all, but they cannot do anything about it, izinsteinouldn’t sponsor anything being in mexi before... he wrote it down in his diary, but then he goes to the soviet union absolutely expecting that... the film will follow him and that he will finish it for the man who created previous films in the editing room can’t be completed, it’s practically a physical pain, and we know about this from his memoirs, and from the people with whom he later communicated, or he writes in his diary, he’s just arrived, it’s spring, summer of 1932, he writes diaries, shklovsky talked about how shot himself, mayakovsky, this was back in 1930, yes, noshtein seemed to have missed it, they only informed him in letters. mayakovsky shot himself because he called on the phone, wanted to talk to someone, but no one answered. it looks like esenstein is writing down. then he writes: a pregnant cat is dying in the kitchen; it seems she cannot give birth to kittens. and in general, for him, this trauma, it was not resolved in any way, since until the end of his life he w

coincidence that he mentioned chipaev, because its creators, the vasiliev brothers, also students of izinsteinether there will be success, it’s easy, it was necessary to show that she not only has problems in her personal life, but she doesn’t always cope with filming, and at the same time we understand that it is precisely the relationship between director panfilov and actress churikova, they were more or less harmonious, because the script, in principle, was written for her, for her, and even knowing some of her habits, even... the director of the studio spoke about it, he attended some event , spent 10 days with panfilov and churikova, and says: “well, i i realized that you are doing this for her, maybe tone it down a little, maybe make it a little more difficult for her, but at the same time there is a memory, leonid kuravlev, that it was not very easy for him on the set, remember, yes , actually complained that, mm, he gave his all, tried to do something so interesting on the set, but panfilov was somehow quite calm,

how it’s developing now, and it was back in ’30, ’31, it was an absolutely turning point, because izinsteinr possible to imagine oneself as a silent film, ezenstein maybe also, maybe, silent films are still being made in the soviet union, but all the world is already engaged only in sound cinema, and that’s why he’s coming, to try sound cinema, to see what it looks like , because back in 1928 here in the soviet union, he wrote an article application, or rather, under it there are three names isenshtein , pudovkin and alexandrov, but as we know, pudovkin came to visit esenstein, they discussed the theses together, but ezenstein still dictated the text, and alexandrov simply wrote down the two of them. and uh, in general, this article, which is loudly called an application, is just a proposal on how to use sound so that, on the one hand, not to lose the expressiveness of silent cinema with its editing, attention to detail, on the other hand , add sound as a new phenomenon, so that not just to record the sound, but to have the sound, for example, of a person riding... on a train and, so that w