j. carter brown about their works, commissioned by the gallery to enhance and celebrate the new building. brown: and then a couple more pieces come out. men: that's right. all right. there we go. that's it. narrator: the artists had been chosen because of their preeminence and their genius for creating monumental works for monumental spaces. moore: that's lovely to have a picasso here. brown: you do give the opportunity to relate in scale to trees and other things and not just the building. moore: all my argument was not to have pieces that are attached to the building. you know, it becomes like reliefs, it's a decoration to the architecture. brown: yes, yes, yes. i think you should have a sculpture that's separate from the architecture to give scale to the architecture and to the sculpre. brown: yes. narrator: it would prove to be calder's last work of epic proportions, and he would approve its fabrication one week before his death. ( machine whirring ) the ultimate space for calder's work was the third major element in the building's design. the space-frame and main skylight would be n

j. carter brown: for over 3,300 years, the pharaoh tutankhamun has gazed serenely at eternity, confident in his ability to conquer death. everlasting life was his by right of birth. he was pharaoh, king of egypt, the mightiest empire of the ancient world. he was a god. nothing was beyond his means. when tutankhamun sat upon his throne, thousands of years of history and achievement had already preceded him. surely a nation that could bring itself into being and create wonders like the great pyramids could overcome man's final enemy--death. and overcome death tutankhamun has--at least according to the ancient egyptian funerary beliefs, for the very act of speaking his name provides magic to infuse tutankhamun with everlasting life. names were important to the egyptians. a name symbolized one's personality and even one's very existence. to remember the dead was to make them live again. and so tutankhamun must, for the whole world has known his name ever since that day in november of 1922, when archeologist howard carter anhis patron, lord carnarvon, turned a forgotten pharaoh into a legend.

j. carter brown: for over 3,300 years, the pharaoh tutankhamun has gazed serenely at eternity, confident in his ability to conquer death. everlasting life was his by right of birth. he was pharaoh, king of egypt, the mightiest empire of the ancient world. he was a god. nothing was beyond his means. when tutankhamun sat upon his throne, thousands of years of history and achievement had already preceded him. surely a nation that could bring itself into being and create wonders like the great pyramids could overcome man's final enemy--death. and overcome death tutankhamun has--at least according to the ancient egyptian funerary beliefs, for the very act of speaking his name provides magic to infuse tutankhamun with everlasting life. names were important to the egyptians. a name symbolized one's personality and even one's very existence. to remember the dead was to make them live again. and soutankhamun must, for the whole world has known his name ever since that day in november of 1922, when archeologist howard carter anhis patron, lord carnarvon, tued a forgotten pharaoh into a legend. the