poisoned the good gleba, i undermined the corpse and the production team for the excitement of the jackal dotae is the annalistic material? and for years to create a ballet , the treve was from scratch and did not base either music or nonsense. this is just her story about the princess felt nice the work of which we put as a basis or breta and the whole performance gave me a book, two scripts, two screenplays. this is one film anastasia and the second television film prince mikhail glinsky lived at the same time, often lived in the same places, were at about the same level of communication, for sure. they were familiar. and there was some kind of relationship between them, we decided to combine these two scenarios. then richer. history. then it has more literary facets, the scope of the performance increases the expectations of the choreographer. anatole dialectic. wrote the libretto on framed by bret yura trojanism, the scenario plan was forged for a day and i’ll split only busy artists into episodes, and only then they took it back to the composer over the creation of ports, tours, vyachesla

convenient bread was undermined by the corpses and the production team for the excitement of the jackal dotaalla’s chronicle materials to create a ballet treve from scratch did not base either music or nonsense. this is just a story about the princess vayunitsa. the work of which we put the basis or bret and the whole performance gave me a book, two screenplays, two screenplays. this is one film anastasia and the second television film prince mikhail glinsky lived at the same time, often lived in the same places, were at about the same level of communication, for sure. they were familiar. and there was some kind of relationship between them, we decided to combine these two scenarios. then rich story. she then has more facets of the literary scenery of the performance, which increased the expectations of the choreographer. anatoly dyalendik. wrote the libretto on bret jura's framed trojanism the scenario plan forged the size of the day and for the episodes he discerned how much the art was busy and only then returned to the composer on the creation of ports tours vyacheslav kuznetsov protseva