jagath weerasinghe, welcome to hardtalk. i'm happy to be here.itting here in your home, which is also your studio, i wonder how far you've been influenced as both an artist and an archaeologist by sri lanka's past? i'm totally influenced by that. i'm totally, yes. everything i do has something to do with the past of sri lanka and the idea of the past, that we keep performing in the present. yeah. but it's notjust sri lanka's past, it's a particularly bloody past that you choose to focus on. why? that is what i call the history of the present. you know, we have a long history coming from, like, fifth century bc, and, you know, there's this great history of sri lanka or south asia. but the 20th century history is i call the history of the present, which is...defines myself and my art and my thinking. lalith manage, who is co—director of an arts collective which you helped co—found, says, "you cannot talk about weerasinghe's work "without talking about the history of the land." but can you only create your best art through that terrible lived experi