i think of the writer james baldwin. james baldwin, as a young man, would go the to the library and read every book he could get his hands on. when he was done, he'd bring books home with him, and there he'd be, holding a younger sibling in one arm and a book in the other. what would have happened to james baldwin if there had been no public library? a great mind would have been starved of its essential material. nobody knows this better than dr. hayden. she was widely praised for keeping open her library during baltimore's unrest last year. but for her, it was the only real choice, the obvious thing to do. and she really seems to come from really sturdy stock. one day when her 82-year-old mom, when she told her mom that she was heading to the library which was right in the middle of all this chaos, all this trouble, her mother replied, oh, make sure you have some coffee. [laughter] our next librarian is an accomplished woman, and i have every confidence that she is going to make us all very, very proud. jefferson once s

she talks about about the religion of the anglo-saxon, of america which is with james baldwin. she also suggested suggested different pieces of her work which correspond, can you guys hear me? which correspond with with the expression in the 1930s that how she braces that will to adorn, that is just part of the black light. but in the beginning of that letter, she talks about ike characteristic, she talks about metaphor being primitive. for me it's somebody with a proverb with a big life in a tall tale is that it's a real embrace of a sophistication of black language. like you suggested a way that tends to come out of privileging a certain way of reading, to illustrate she says what's easier than to explain. so think of how the critics for her who say that language is embarrassing. she, herself in a moment that is really complicated is suggesting that metaphor is primitive. when for me, and jamaican language for instance, which you bordered the language here, you move in high cotton. think of how amazing, to china turn your hand in -- you know it's a certain kind of sophisticat

i thought, that i would lead by asking you a question about james baldwin. why not? so, when i was searching for a writer, on the american black experience, baldwin felt inhe have vittable. he was expatri set and he died nearly 30 years ago. >> what makes his writing continue to resonate. do you turn to him as i do for comfort? >> okay, well the first thing i should say, because my university will get very angry is that i just was promoted to full professor -- >> congratulations. [applause] >> so, my colleagues might be watching this morning. so, well, james baldwin, i have a very involved relationship with him because my father was friends with him. so, when i first encountered his name, i encountered it as my dad mention that go they hung out in the village together and everything. and i met him when i was 14. and i remember someone, his assistant coming up behind him and draping a fur colored on camel haired coat and i thought that's going to be me. [laughter] >> but, as an adult, in graduate school, his words along with audrey lord's work saved my life i. i was o

she talks about how the kind of religion of anglosaxon of america, which echoes james baldwin. she also suggestions in different pieces, in her work which kind of corresponds -- can you guys hear me? which corresponds to, just in the kneeing gee -- negro correction in the 1930s, that is a part and parcel of the black life, right? in the beginning of that letter she talks about, also in characteristics she talks about a metaphor being preeminent. a proverb for the big old lies and tall tales is a real embrac of the sophistication of black language, right? but she suggests in a way that comes out of privileging a certain way of reading that, to illustrate she says, it is much easier than to explain. think about the critics for her who say the language is embarrassing and things like that. she herself in a moment that is really complicated is suggesting that metaphor is primitive when to me, and jamaican language for instance, which you, language here, you are moving at high cotton. think how amazing a term, turn your hand and make fashion. you know what i mean?ur all the ways wit

and just like novelest james baldwin and activist james baldwin said, he said to be black in america and to be relatively conscious is to be in a rage all the time. and when we have leaders who don't even want to acknowledge that we have institutional racism in this country, economic, political, financial, we have to admit that and do something about it. and all communities need the police, but we need transparency, we need accountability, we need trust. and they are not mutually exclusive, but it is okay for the african-american community to call foul. and that is what we are doing all across this country. and we sicked and tired of the same old song being played over and over again, yet in the wake of all of this, for dead black men and dead black women in this country. they hold up their hands, they die. they on the ground, they die. we got to stop it and stop it right now. and i'm going to tell you another thing, steve. we ain't got to wait for presidential candidates. we need governors and mayors, people on city councils and state legislators right now to use the power of public

and just like novelest james baldwin and activist james baldwin said, he said to be black in america and to be relatively conscious is to be in a rage all the time. and when we have leaders who don't even want to acknowledge that we have institutional racism in this country, economic, political, financial, we have to admit that and do something about it. and all communities need the police, but we need transparency, we need accountability, we need trust. and they are not mutually exclusive, but it is okay for the african-american community to call foul. and that is what we are doing all across this country. and we sicked and tired of the same old song being played over and over again, yet in the wake of all of this, for dead black men and dead black women in this country. they hold up their hands, they die. they on the ground, they die. we got to stop it and stop it right now. and i'm going to tell you another thing, steve. we ain't got to wait for presidential candidates. we need governors and mayors, people on city councils and state legislators right now to use the power of public

goff, we talked about the late, great james baldwin in this studio last night. and i'm reminded. he talked the fire next time. we're always braefly surprised that there's a next time, a next time, and a next time to nina's point that the surprise doesn't last long enough. that there's a sameness if you can believe it to these individual lives being lost. individual tragedies. all of them with a common thread, how to stop that. >> how to stop us getting used to it, right. >> and unfortunately and i was sweet tweeting about this the other day. i have gotten used to some some of the folks i follow, janea, you see a hashtag and a name, you know another black life a is off of this earth and another black family is profoundly affected. one of the ways you manage it is i'm glad to see that there is the option of the national guard to help bring peace and keep peace. but, if there's a state of emergency, it happened well before tonight in charlotte. there's a state of emergency in the united states, it happened well before any incident of particular, any particular of violence. so i thin

and just like novelest james baldwin and activist james baldwin said, he said to be black in america and to be relatively conscious is to be in a rage all the time. and when we have leaders who don't even want to acknowledge that we have institutional racism in this unccountry, economic, political, financial, we have to admit that and do something about it. and all communities need the police, but we need transparency, we need accountability, we need trust. and they are not mutually exclusive, but it is okay for the african-american community to call foul. and that is what we are doing all across this country. and we sicked and tired of the same old song being played over and over again, yet in the wake of all of this, for dead black men and dead black women in this country. they hold up their hands, they die. they on the ground, they die. we got to stop it and stop it right now. and i'm going to tell you another thing, steve. we ain't got to wait for presidential candidates. we need governors and mayors, people on city councils and state legislators right now to use the power of pub

sewed james baldwin writes we have to make ourselves blank to wash away your guilt to talk the unity in this moment is a shorthand for us to leave the suffering at the door. because somehow we cannot be unified so we cannot be angry in public or enraged in public. we cannot advocate on behalf of the people we care most about. we have a mask we have a cover one of the most unique populations in terms of how we participate in the political process. what happens when we step outside? they want us to bear the burden of the neo-fascist them. they want us to bear the burden to hold off the new fascism but they cannot even speak to the pet specificity of our needs as a community in the process. because if you get him he will destroy your community so wide open for denies jobs plan but specifically what do you do about this? lift all votes. we can get back to that. >> i am an educator in your city. so how's it to me get on to the basic foundation level as far as diversity? i work in the bronx you think they're ready diversity but with curriculum and presentations i am the only one who will d

i've been reading james baldwin late lately.n the 1960s, there was the idea that poor communities wanted more cops not less. that's not an '80s thing. that goes back to the early '60s. it wasn't about anything we would call racism because black people wanted it done. and here we are today. it hasn't worked. it would make good. >> fantastic. after november 8th, weed could be legal in a lot more places. five states are holding ballot initiatives on legalizing marijuana. maine, massachusetts and nevada. in massachusetts, the beer distributors pack has donated to an anti-pot organization and the arizona wine and spirits whole sale has given to an antigroup. and sam adams warned investors that the sale of marijuana couldecould ed adversely effect the demand for his beer. they admit it. >> big booze is after little cannibis and this is totally predipr predictab predictable. some people will get high and want to have a beer. i don't think there's any contradiction there. >> sell it on a two-way street. you get drunk and after you get h

i think as a writer, baldwin, james baldwin as a young man would go to the library and read every book he could get his hands on and when done bring books home. there he would be holding a younger sibling in one arm and a book in the other. what would happen if baldwin didn't have the public library? a great mind would have been starved of material. widely praised for keeping up her library during baltimore's unrest last year but for her it was the only obvious choice. one day when her 83-year-old mom, when show told her mom she was going to the library in the middle of the chaos and trouble, her mother replied make sure you are some coffee. she is an accomplished woman and i have ever confidence she is going to make us all very, very proud. jefferson once said i cannot live without books. neither can we. the library of congress is our national treasure and with dr. hayden at the helm i know it is in excellent hands. congratulations. [applause] >> ladies and gentlemen, please welcome the chief justice of the united states. the honorable john roberts to administer the oath of office. pl

james baldwin once wrote, for ,hile the tale of how we suffer and how we are delighted, and ow we may of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. as so many generations have before, we gather on our anional mall to tell essential part of our american story. one that at times has been overlooked. become -- we come, not just for today, but for all time. president and mrs. bush, president clinton, vice biden, chief justice roberts, secretaries buttes,reverend distinguished guests, thank you. thank you for your leadership and making sure this tale is told. we are here in part because of you, and because of all of those civilans, civil war vets, rights put soldiers, the , and on capitol hill, for more than a century, kept the dream of this museum alive. it includes our leaders from congress, paul ryan, nancy pelosi, and it was one of my who, as hen lewis, had so often, held the torch for those who came before him and got past the finish line. it includes the philanthropists and benefactors and advisory members who have so genero

where do you put james baldwin, one of our greatest american writers deeply involved in the civil rights and politics? you made this controversial decision about muhammad ali before his passing. >> we knew his legacy was in place while alive. >> reporter: this american-led protest on the olympic world stage still resonates. taking a stand, john carlos, tommy smith, for human rights, 1968 in the mexico city olympic games. >> my dad, max whitfield, he is one of those that you have on display. why? >> it helps he won a lot of pedals. >> reporter: 1948 and '52, a tuskegee airman, the first to medal in an american game and later becoming an american diplomate. the whitfield foundation donating his original flight suit, a pair of his metal spike shoes and jersey. several olympians generously gifting too. >> carl lewis gave us every medal but the one he barried with his father. gabby douglas, a newer star. jesse owens. >> reporter: i can't imagine what it will be like for my family or the other families to see these exhibits for the first time. i know it will be a very emotional experience. >>

we believe so strongly in the --ds that james waldman james baldwin wrote -- the past is all that makes the present coherent. for us, this is an amazing moment, and i thank you so much for being with us. thank you. [applause] >> i am not seeing this, i am really not saying this, but yeah, that's good. [laughter] [applause] [laughter] c-span's american history tv interviewed key members of the design team responsible for the smithsonian national museum of african american history and culture. this is about 20 minutes. >> i am david, the lead designer of the nest a museum of african american history and culture. i was the architect on the team that would deliver the vision, the material, the sequence, the feeling that you see when you come to the building. >> was feeling did you hope this is in what can they? >> a sense of uplift, and a sense of being connected. and give you a sense of intrigue. want to explore the ordinary exhibits. and one that would give you a fantastic overview at the end of the museum. at the top of the building, you have a ordinary panoramic window. you have an inte

like where do you put james baldwin? one of our greatest american writers. involved in the civil rights movements. >> sports and politics. >> you made this decision about muhammad ali, prior to his passing? >> that's correct. we knew that his legacy was absolutely in place while he was still alive. >> and this american led protest on the olympic world stage still resonates. taking a stand, john carlos, tommy smith, for human rights. >> that's right. >> 1968 in mexico city olympic games. >> yes, the fact this became really a permanent symbol of courage and commitment to one's beliefs. >> there is such a variation of stories. my dad, we're very honored he's among those who you have on display here. why? >> well, it helps when someone like your dad won a lot of medals. >> five medals in 1948 and '52. a tuskegee airman, becoming the first active duty american service member to medal in an olympic games. later becoming an american diplomat. the whitfield foundation donating a pair of his spike shoes and jersey among other things. several olympians genwitsifting >

. >> james baldwin once wrote, for while the tale of how we suffer and how we are delighted and how we make triumph is never new. it always must be heard. while the tale of how we suffer and how we are delighted and how we may triumph is never new, it always must be heard. today, so many generations have before, we gather on our national mall to tell an essential part of our american story. one that has, at times, been overlooked. we come, not just for today, but for all time. the president and mrs. bush, president clinton, vice president and dr. biden, chief justice roberts, secretary scorton, reverend butts, distinguished guests, thank you. thank you for your leadership in making sure this tale is told. we are here in part because of you and because of all those america americans, the civil war vets, the civil rights foot soldiers, the champions of this effort on capitol hill. for more than a century kept the dream of this museum alive. it includes our leaders in congress, paul ryan and nancy pelosi. it includes one of my heroes, john lewis who, as he has so often, took the torch fro

james baldwin once wrote, while le of how we suffer and how we are delighted, how we may triumph is nevere heard. today, as so many generations have before, we gather on our national mall to tell an essential part of our american story. one that has at times been overlooked. today, but just for for all time. president and mrs. bush, president clinton, vice chiefent and dr. biden justice roberts, secretary reverend, distinguished guests, thank you. thank you for your leadership in making sure that this tale is told. we are here in part because of you, and because of all of those americans. the civil war veterans, the civil rights fooot soldiers, the champions of this effort on capitol hill that are more than eight century kept the dream of this museum alive. it includes our leaders from congress, paul ryan, nancy pelosi, it includes one of my who, as hen lewis, has so often took the torch from those who came before him and brought it past the finish line. it includes that philanthropists , benefactors, advisory members who have generously given not only their money, but their time. it incl

appealed to individuals, families, churches, fraternities and sororities, who handed over gems like james baldwin'swell, and malcolm x's tape recorder.m advance tickets flew out the door-- 5,000 of them in 18 minutes, one day. in this journey you have been to get to this point with this museum, what has been the biggest surprise for you alongt the way? >> i think i've been stunned by the excitement and the way people really care. there are times i'll walk in an airport and people will just sort of give me the thumbs up, or i'll walk down the street and church ladies will come to me and say they're praying for me. so i think the fact that this means so much to so many peoplea has been the biggest surprise for me. >> ifill: as with other smithsonian museums, one building cannot begin to hold its collection. conservator antje neumann has helped preserve the collection at the museum's facility in a washington suburb. >> there's always the balance between preservation and exhibition, and allowing the public to see the national treasures, and then also balancing that with preserving it for future generat

james baldwin said that.rican-americans, you can see ks in the early 19th century calling themselves afri- americans. it was black, before that it was negro. here we are today, still contesting identities. the normative definitions in this country, of for chile, are grounded in the colonial project. to be an american, in many ways, means to be white. thestruggle was to drop irish and italian so we could assimilate. guess who could never assimilate? the aboriginals of this country. host: a few more minutes with our guest. we welcome our listeners on c-span radio. we are speaking with greg carr about race relations in the u.s. and the dedication ceremony of the museum of african american history and culture. good morning. caller: good morning. up to a to follow couple of other callers questions. you actually addressed a couple of them. i have been listening here, as far as the voting restrictions that the court refused to hear the case and uphold a lower uling because they were derived on a racial basis. that w

there you are with james baldwin has a quote and there is your quote in the museum. >> okay. well, i haven't seen it and i didn't know about it until you just told me. >> reporter: you didn't know that? >> no. >> reporter: that is a wowser, a ava! >> that is. >> reporter: explain that to us. >> it's about permission. it's for women, it's for people of color and anyone in their life feel constrained to have to get permissi to do. i said that being a black woman filmmaker and feeling i was knocking on closed doors and nobody was answering. i said i'm going to stop knocking and build my own thing. i'm so thrilled that quote is there! who knows what they could have used. i really believe that. >> our full interview with ava duvernay airs later this month on "cbs this morning." that's why we wanted to talk to her originally about her projects she is doing now. august 28th, anyone this until august 28th this year was the first time colin kaepernick held a news conference why he is not going to stand for the national anthem. now she says every year she looks at august 28th to see wh

in some ways, we believe so strongly in the words of james baldwin and i think five, the past is all that makes the present coherent. this is an amazing moment and i think you so much for being with us. picky. -- thank you. [applause] [cheers] >> c-span2 market history tv interviewed key members of the design team responsible for the smithsonian national museum of african american history and culture. this is about 20 minutes. designer of the national museum of african american history and culture. i was the architect on the team who was -- deliver the museum and vision and feeling and sequence you see when you come to the building. >> what feeling to do hope this building gives? >> uplift. inspiration. one that gives you a sense of intrigue, one to explore. one that would give you a fantastic overview at the end of the museum come at the top of the museum. you have this fantastic panorama window to see over the potomac river. >> international background, can you tell us about that and how that informed your work? hana -- i was born in the heart of africa. i made -- i grew up in lond

part of the reason became at an early age unwilling to accept this has to do with an excellent james baldwin essay i encountered thanks to one of my high school teacher. it was price of a ticket and baldwin goes in hard against people who would use individual's stories of success to characterize the american dream as somehow unavailable and perfect; right? and he really wanted to critique and devotes a mafair amount of time in the essay any effort to take the individual experience as a validation of the experience of the american dream. with that in hand, i repeatedly over the course of the next few years reevaluated my life and the lives of those around me. i talk a fair bit in the book about what i seem to be the pernicio pernicious effects of structural inequality and one of the big ones is it brings a mystification and if some people are succeeding this is enough to divert from the oppression of large numbers of people. i could not tolerate that. i found myself fortunate to be in the company of others who could not tolerate that. like the folks on this panel. so i will stop right there.

james baldwin once wrote, for while the tale of how we suffer and how we are delighted and how we makerd. while the tale of how we suffer and how we are delighted and how we may true um of is never new, it always must be heard. today, as so many generations have before, we gather on our national mall to tell an essential part of our american story. one that has at times been overlooked. we come not just for today, but for all time. president and mrs. bush, president clinton, vice president and dr. biden, chief justice roberts, secretary skorton, reverend butts, distinguished guests, thank you. thank you for your leadership and making sure this tale is told. we're here in part because of you, and because of all those americans, the civil war vets, the civil rights foot soldiers, the champions of this effort on capitol hill, who for more than a century kept the dream of this museum alive. it includes our leaders in congress, paul ryan, nancy pelosi, it includes one of my heroes, john lewis who as he has so often took the torch from those who came before him and brought it past the finish

when we think about what james baldwin says as it relates to the the national anthem, what muhammad ali said about the national anthem it is great that the modern day athlete is coming into his or her own being as relating to speaking about injustice zest. >> fred, national anthem can be a form of contradiction i got the that from chad, what do you think. >> there is a third verse that was never played that some people find offensive, but that is open to interpretation. you know, no problem will ever get solved unless people say african-american find part of the national anthem offensive that is their legitimate decision. it is legitimate decision is a lot of americans, myself included, find it offensive what they have done here to protest during the national anthem. i think it under heinz, under plays, ignores the things that this country has done. is there an old phrase that someone used with me talk is cheap. if african-american and black athletes have a real problem with this going on then put together, ties, take a 10 percent of their income and put it toward organizations and thin

reason that i became at an early age unwilling to accept this, it had to do with an excellent james baldwiny that i encountered thanks to my high school teachers, pricing of ticket, baldwin goes in hard against people who would use individual stories of success to characterize the american dream as somehow unavailable and perfect, right. he really wanted to critique and devote a fair amount of time to critiquing experience somehow validation of american dream. with that in hand, i repeatedly over the course of the next few years reevaluated my life and the lives of those who had been around me. i take a fair bit what i see to be effects of structural inequality and one is that it creates and brings down folks mystification. .. oppression of large numbers of people. i could not tolerate that. i found myself fortunate to be in the company of others who could not tolerate that. like the folks on this panel. so i will stop right there. >> yes, well, funny you should mention baldwin and sort of the american dream. baldwin was an author who, you know, was really instrumental for me as a young rea

james baldwin once wrote, for while the tale of how we suffer and how we are delighted and how we mayle of how we suffer and how we are delighted and how we may triumph is never new, it always must be heard. today, as so many generations have before, we gather on our national mall to tell an essential part of our american story. one that has at times been overlooked. we come not just for dotoday, b for all-time. president and mrs. bush, president clinton, vice president dr. biden, chief justice roberts, secretary supreme courten, reverend butts, distinguished guests. thank you. thank you for your leadership and making sure this tale is told. we're here in part because of you, and because of all those americans. the civil war vets, the civil rights foot soldiers, the champions of this effort on capitol hill. who for more than a century kept the dream of this museum alive. it includes our leaders in congress, paul ryan, nancy pelosi. it includes one of my heroes, john lewis, who as he has so often, took the torch from those who came before him and brought us past the finish line. it inc

but in some ways we believe so strongly in the words of james baldwin, the past is all that makes the president coherent. for us this is an amazing moment. and i thank you so much for being with us. thank you. [applause] saying this but yeah, that's good. >> "the wall street journal" also shared pictures of what museum visitors will be able to see. nine of carpal lewis' olympic and world championship medals. the red 1978 eldorado cadillac that belonged to chuck berry. a trumpet played by louis armstrong. this is the dress rosa parks was selling on the day she was arrested when the refused to sit at the back of the bus during segregation in montgomery, alabama. you can watch the opening of the museum tomorrow here on c-span. ahead of the opening ceremony, we spoke with african-american members of congress about the museum. >> congressman , in your view, what is the importance of the new african-american museum to the country? mr. ellison: the new african-american museum is so esen torble any american identity, no matter what color or background you may have. you can argue that the revo

in some ways, we believe so strongly in the words that james baldwin wrote in 1955, the past is all that makes the present coherent. for us, this is an amazing moment and i thank you so much for being with us. thank you. [applause] >> the national museum of african-american history and culture opened its doors to the public for the first time tomorrow. cspan will be live from the national mall with the dedication ceremony. speakers include president obama and founding museum director lonny bunch. also michelle obama, george w. bush and mrs. laura bush it, chief justice john roberts, congressman and bill of rights icon john lewis. watch live starting tomorrow at 10:00 a.m. eastern on c-span. >> returning live to the treasury department bank conference on strategies to improve jobs and economic opportunity just got underway a few minutes ago. >> i think in light of the name of this forum and building across the street with freedman bank, today's name steak, the financial services and financial institution and building financial prosperity in individual. >> first of i want to say thank you

james baldwin said that.you look at african-americans, you can see ks in the early 19th century calling themselves afri- americans. it was black, before that it was negro. here we are today, still contesting identities. the normative definitions in this country, of for chile, are grounded in the colonial project. to be an american, in many ways, means to be white. thestruggle was to drop irish and italian so we could assimilate. guess who could never assimilate? the aboriginals of this country. host: a few more minutes with our guest. we welcome our listeners on c-span radio. we are speaking with greg carr about race relations in the u.s. and the dedication ceremony of the museum of african american history and culture. good morning. caller: good morning. up to a to follow couple of other callers questions. you actually addressed a couple of them. i have been listening here, as far as the voting restrictions that the court refused to hear the case and uphold a lower uling because they were derived on a racial

baldwin and mayor james. talk about 21st century policing and task force recommendations. we have been involved and talk to the national league of cities. many chiefs of police have really talked about trying to adopt a 21st century police and going through the police department. since we have been having the conversations, i have learned dramatically that policing is different across this country and how people operate and how they view serving the public. a lot of police chiefs are or some police chiefs are having drawback from dealing with city management to the point where they probably have written a paper on their own and given it to their city management. if you could comment as people are watching and kind of paying attention, why is it important for city leaders, particularly those of city management or mayors and city government to really take a look at this task force report and adopt it as we continue to see policing evolve in the future. >> okay. good question and from the city management side, that touches on what i just talked about. the city manager and the

person playing him in debate prep is not a comedian, nor is it senator al franken, actor alec baldwin, strategist james carville or businessman mark cuban, all of whom were seen as likely suspects. finding the right stand-in isn't easy. secretary of state john kerry played his fellow massachusetts native, mitt romney, in president obama's 2012 prep. 2000. trump says he isn't having anyone play clinton because he doesn't want to overprepare. >> i've seen people do so much prep work that when they get out there they can't speak. >> clinton's running mate, tim kaine, said he and clinton have been trading debate tips, but more on style than substance. >> hillary clinton does not need to know one more fact. she is factually so far over any being prepared on the details. >> like athletes preparing for a game, trump and clinton are already doing a little trash talking. >> they say she's been practicing for the debate. some people think she's slipping. >> that was trump in pennsylvania last night. this was clinton on the satirical interview show "between two ferns." >> do you wonder what your opponent might be

you could make a fun thing or have a james comey character and talking about the e-mails and the lies. >> alec baldwin a tweet that gets ridicule so in some way he will be closer to us than hammond. >> guys, is it a good idea for them to go back to them as themselves before the election? >> probably not. >> how much time do we have left? >> they could get it done in nine days. >> i say yes. >> i am not counting. [ laughs ] >> i would not do it if i were the republicans. i think hillary clinton will be fine but the conservatives always ends up with the short end of the stick. >> which conservative? >> i feel it is too risky. >> yeah, i would like to see him especially -- it will not be hillary. >> do you remember when he was mad, well the story goes he was frustrated when president obama was making fun of him at the white house correspondence center and i just feel like trump needs to stay in the game in focusing on hillary and taking time off preparing on saturday night lifve and i woul not take that risk. >> we are talking about bernie doing nor with the millenials. "saturday night live" can actually

fill a chilling temperatures a last check the next eight hours for us to 72 for 1:69 baldwin's it's more of a chill >>jamess a minor and of course but she claimed that she and a former congressman started an on-line sexual relationship with she was a sophomore in high school she has a text message to improvement also would not go into more specific details she told she was 15 issing to confirm if he asks her numerous times to undress for him he did give a statement to the daily mail we of repeatedly demonstrated we're at the starting point of this relationship that will put before his wife who by the way it is a close aide to hillary clinton this involve an unfavorable is unclear what charges will be filed if any at all >>reporter: there with three of the sexual assaults reported on the same day in following a concert at the greek theatre no word this incident also connected to the concert this comes days after 25 you're a man was arrested in connection with another reporter reagan side of the different dormitory will learn more about what may have motivated the suspect josh, don't you have friends coming