yeah, i mean, the james frey thing is such a textbook story. it does seem particularly egregious to turn, you know, 2 hours into four months or whatever. but i think yeah, i mean, i don't know if this doesn't sound you know, but i think we look memory is fallible by definition, right? memory is subjective. not may say i remember exactly what my mother said to me that day when i was eight, but come on, do i? you know, so there is there has to be some of some leap of faith, if you will. and also like about the jason where he's doing something, where know it needs to be historically or people who know are going to come after him and point out all the flaws. so he has to take on that extra of responsibility and still give it all this narrative drive, all this character, you know, roundness as the writing cliche goes. yeah, i read a review, an interview recently with radden keefe, who wrote say nothing, and he talked about that all the dialog in, his novel was based on interviews. so, you know, the interviewee may have remembered something incorrect