james palmer decided to write tour. price perceives news and so if you have fake prices you end up with a fake name so here when you have manipulation of markets in there if you have if you have interest rates at zero and you can borrow money at zero percent you have an unlimited credit line and you can muscle prices around it well that creates fake prices and then if you have robots reporting on fake prices on the financial media as foreign stuff then the robots are going to report on the fake crisis driven by the fake news created by robots and you have a virtual or a not so virtual cycle of fake news and fake prizes and then that people interpret that as reality. what politicians do something. they put themselves on the line they get accepted or rejected. so when you want to be president pleasure more somehow want to be humorous and. have to be right to be person was like in the family tree in the morning can't be good that i'm interested always in the water using my power. plants sydney and. for a world cup twenty e

james palmer decided to write to our. political aims to leave the victim outside to start with a few for the full force of foreigners but i think it was that my wife. when i left that i sat take some. of those willing. to open the birth of the evening got a book he's slow for. a . couple. cutlery of those mums. a matilda he picked up on the syllabus i'm a journalist i have a difficult subject. and these years are made up and it i don't. know how shame will. kill a gun it will be a tough admission from the. i played for many clubs over the years so i know the game inside out it's. football isn't only about what happens on the pitch pull the funnel school it's about the passion from the fans it's the age of the super manager kill the narrowness and spending two hundred twenty million on one player. it's an experience like no one else on to because i want to share what i think what i know about the beautiful game played great so one more chance for. the base this minute. the new global economic war is unfolding in the realm

james palmer decided to write to our. price perceives news and so we have fake crisis you end up with a fake news sell here when you have manipulation of markets and there if you have if you have interest rates at zero and you can borrow money and zero percent you have an unlimited credit line and you can muscle prices around it well that creates fake prices and then if you have robots reporting on fake prices on the financial media as foreign stuff then the robots are going to report on the fake prices driven by the fake news created by robots and you have a virtual or a not so virtual cycle of fake news and fake prizes and then that people interpret that as reality. a play for many flips over the years so i know the gaming so i dived. football isn't only about what happens on the pitch for the final school it's about the passion from the families it's the age of the super money to kill the narrowness and spending to do the twenty million one player. book it's an experience like nothing else on to me because i want to sh

james palmer decided to write to her. the new global economic war is unfolding in the realm of education the right to education as being supplanted by the right to access education low it's high education is becoming just another product that can be bought and sold but it's not just about education anymore it's also about running a business and what you're good most of the regime look good is also the kind of fellow they couldn't. want is the place of students in this business model before college i was more now i'm running stream or higher education the new global economic war. i've been saying the numbers mean something they matter the u.s. has over one trillion dollars in debt more than ten white collar crime stamping each dish. eighty five percent of the global wealth you want to the ultra rich state we've seen. percent market saw a thirty percent rise last year some with four hundred to five hundred three per second per second and bitcoin rose to twenty thousand dollars. china is building a two point one billion doll

james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious. so now you've got reference to mr stener owning the painting you've got reference to portrait of a man. and you have a photograph that's the exact same painting that is now illustrated or described as the seated man. finally james palmer knew what the painting looked like. but where had it gone he searched everywhere activated his contacts toward the auction rooms archives and museums. and after a few weeks ago. he found a trace of the painting here in london in the catalogue of an auction held at christie's in one thousand nine hundred six. the painting was entitled seated man with a cane. but who owned it. it was acquired by a shell company based in panama international arts center who

james palmer decided to write to her. about your sudden passing i've only just learnt you were a south and taken your last to bang turn. your at the top to you as we all knew it would i tell you i'm sorry. so i write these last words in hopes to put to rest these things that i never got off my chest. i remember when we first met my life turned on each breath. but then my feeling started to change you talked about war like it was again still some more fond of you those that didn't like. question arc and i secretly promised to never like it said one does not need a funeral the same as one enters the mind gets consumed with this different speech because there are no other takers. saying that mainstream media has met its make. put in lives by two things by his emotion that he is. in the long he places a very long great need he says so to speak of a. long distance runner in politics and that's the way they underestimate. well the lawyers for our client contacted. the hellyeah maggie and helen i'm out of new york. and they were

james palmer decided to write to her.

james palmer decided to write to our. price perceives news and so we have faith crisis you end up with a fake news sell here when you have manipulation of markets and there if you have if you have interest rates at zero and you can borrow money at zero percent and have an unlimited credit line and you can muscle prices around it well that creates fake prices and then if you have robots reporting on fake prices on the financial media as foreign stuff then the robots are going to report on the fake crisis driven by the fake news created by robots and you have a virtual or a not so virtual cycle of fake news and fake prizes and then that people interpret that as reality. political lens used to be good i'm not so obvious that it will keep the truth from some fun event i just did mine. when i left that i sat next to. me. well so the world. lives because of the slow. and. the. country of the only mum game if you think because i'm a cynic and i'm a journalist i have a difficult moment. and these years i'm live apart from that i

james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to middle yani. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious. so now you've got reference to mr stener owning the painting you've got reference to portrait of a man. and you have a photograph that's the exact same painting that is now illustrated or described as the seated man. finally james palmer knew what the painting looked like. but where had it gone he searched everywhere activated his contacts toured the auction rooms archives and museums. and after a few weeks ago. he found a trace of the painting here in london in the catalogue when auction held at christie's in one thousand nine hundred six. the painting was entitled seated man with a cane. but who owned it. it was acquired by a company based in panama international art center

james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious. so now you've got reference to mr stener owning the painting you've got reference to portrait of a man. and you have a photograph that's the exact same painting that is now illustrated or described as the seated man. finally james palmer knew what the painting looked like. but where had it gone he searched everywhere activated his contacts toured the auction rooms archives and museums. and after a few weeks ago. he found a trace of the painting here in london in the catalogue of an auction held at christie's in one thousand nine hundred six. the painting was entitled seated man with a cane. but who owned it. it was acquired by a company based in panama international art center whose regi

james palmer decided to write to her. a play for many clubs over the years so i know the game inside guides. football isn't only about what happens on the pitch for the final school it's about the passion from the families it's the age of the super money just kill you narrowness and spending city to twenty million album fly a. book it's an experience like nothing else on to because i want to share what i think what i know about the beautiful guy a great so well paul chance with. the bass is going to. political lens used to leave the victim outside to start with a few feet from some final step i think to just that my life. when i look to the south take some. time and i think a lot of those me. will show up to the world a lot of lives leave got a book leave slow or. something. and. take. them from. the tree of the legal up and i will keep them on the side of the family just like i have a difficult moment. and these years i live apart from that i don't. know how shame will. kill the gun it will be admission from the. bush in

james palmer decided to write tour. to. join me every thursday on the alex simon show and i'll be speaking to guest of the world of politics sports business i'm showbusiness i'll see of that. q a q q. three. q q q a . let's see. well the lawyers for our client contacted. they have. new york. and they were ignored. which is not right it's not proper so i think after about a month or so they wrote him again and again they were ignored and eventually there was a response and the response was essentially you are suing the wrong people you should be suing the international art center and we have nothing to do with that. james palmer was not taken in by her response. he filed a lawsuit against the health gallery in new york. but once again the lawyers denied the family were the owners of the painting. here is their statement to the court in new york. international art center and nobody else not the head gallery nor david that bought the painting at an auction held at christie's. things stopped dead there until two thousand and fi

james palmer was delighted he'd found it. this photo taken at the one nine hundred thirty venice biennale shows twelve paintings on the wall of the room dedicated to middle yani. ten portraits of women and two of men. the one on the right was already identified and well known. the painting in the middle however the one of a seated man is more mysterious.

james palmer was delighted he'd found.

by consulting peepers kept in the paris archives james palmer came across a clue this telegram. it states that staten or that sent the mode yani to the venice biennale of one nine hundred thirty. i travelled to venice personally and went into the archives there and to the.

james palmer decided to write to our. local was selling you on the idea that dropping bombs brings the news to the chicken hawks forcing you to fight the battle. and you saw to try to tell you that because of the public by file for the most important news today. off the bat or tell me you are not old enough to buy their product. all the hawks that we along with all the walking. highlands was as part of course ties back to one he counts donington disdain said standing stock poor now. because of a viral political gulf oil spill off the top to meet on the wall street how the ballpark so funny stories really cause a lot of stuff just want us out of you know going to see if they could get out of the open but see. the so you call me out for you all to close to a strike in which crews could fall to no no they go for opening for our goof on you so. let's throw out the call course possible to knock back those that look a lot darker. and say ok when she sees her you could fall in the red team. and you can become a scene. in time fo

james palmer was not taken in by her response. he filed a lawsuit against the health gallery in new york. but once again the lawyers denied the family were the owners of the painting. here is their statement to the court in new york. international art center and nobody else not the head gallery nor david no model that bought the painting at an auction held at christie's. thing stopped dead there until two thousand and fifteen and the leaking of the panama papers extraordinary. a document published by the journalists revealed that behind the panamanian company international art center was the renowned art dealer david. so he was a shareholder of the company that owns the painting despite his constant denials. the detective had scored a point. and now he just had to find out where seated man was in storage he had a bright idea maybe it was in the geneva freeport where the number of family kept the major part of its collection. this was judiciary issued a search warrant for the storerooms in april two thousand and sixteen and discove

huge story today i'm joined by alex the tongan from the middle east institute and myles palmer senior fellow at the james martin center for nonproliferation studies to both of you gentlemen welcome to the day mr palmer start with you trump says that if the nuclear deal were to continue in its current form that the consequence would be that iran would have nuclear weapons in a relatively short time he says that he has to withdraw because the deal would allow iran to quickly resume its development of nuclear weapons thus creating an arms race in the middle east is he telling the truth well i guess part of it depends on what you consider a short time the central limits on the deal. expired ten to fifteen years after the implementation of deal which means twenty twenty five and twenty thirty so you know he's essentially trading off and not dealing with this problem for seven years for dealing with it now i mean but is it true though that this argument that he's making that his moves today will ensure that that there is nonproliferation that he is preventing an arms race thus preventing the possibility of mil

james for her testimony for five minutes. >> jermaine palmer, meadows and members of the subcommittee thank you for the invitation to discuss with you alabama is hardest hit program. my name is kathy james, the business to do with manager for the housing finance authority. i also serve as the manager of the hardest hit program in alabama that we realized is called the hardest hit program. the introduction to the hardest hit fund began with a notification in 2010. hardest hit funds have already undergone two rounds of funding when we were invited to participate in round number three and we begin creating the program if the guidelines and reviewing her by the department of treasury that had been adopted by other state in round one and two during the development of the process, close to was paid to the respective obligations of program funds and administrative expenses. in total, the allocation is $162.5 million with 16.75% is allocated to the administrative instances. during the seven years of the hardest hit in the department of treasury has approved 12 changes for the state of alabama

james for her testimony. five minutes. >> good morning. chairman palmer, chairman meadows and members of the subcommittees, thank you but invitation to discuss with you alabama's hardest hit program. my name is kathy james, the business development manager for alabama housing finance authority. also serve as the manager of the hardest hit fund program in alabama which we call the hardest hit alabama program. alabama's introduction to the hardest hit fund begin with the notification in 2010. hardest hit fund had undergone two rounds of funding when each of it was a bunch of which is based in round three it would quickly began creating some program and program guidelines, redoing templates the prefers to us by the department of treasury which had been adopted by other states during the development of our process close attention was paid to the affected allocations of program funds and administrative expenses. in total alabama's allocation is $162.5 million, and 16.75% is 75% is allocated to administrative expenses. during the seven years of hardest hit assi

palmer, the young kid, absolutely brilliant. he has not one of those faces that telegraphs his emotions, not to do with dialogue but the way he looks. he has something of the young jamescause there is a looks to his voice, very expressive face. i love the fact that andrew haigh, british film maker, has gone to america and shot in some deserts around but has not been overwhelmed by the scenery. there are moments in it when we are out in the desert, but still at the centre of it is charlie. he is in every single frame pretty much in the movie. the other thing is i like the fact that none of the characters in this film are two—dimensional. some of the maze seem harsh and difficult and violent, but everyone has got redeeming qualities. and they often lay against type. one point chloe as a jockey who has fallen off the horse one time too many. anything i can see the narrative is going to set her up as a surrogate, but it absolutely does not. i think there isa absolutely does not. i think there is a really, really terrific movie. it is my dark in places. there are moments of tears in it. i mean you like 45 years. i loved it, which is why i am going to see this. you can thin

. >> good morning, chairman palmer, members of the subcommittee, thank you for the invitation to discuss the hardest hit programs. my name is kathy james. i'm the business development manager for alabama's housing authority. i also serve as the manager of the hardest hit funds program in alabama, which we call the hardest hit alabama program. alabama's introduction to the hardest hit fund began with the notification in 2010. hardest hit funds had already undergone two rounds of funding when they were invited to participate in round three. we quickly began creating our program and program guidelines. we begin by reviewing term sheets, all by the department of treasury, which had been adopted by other states in rounds one and two. during the development of our process, close attention was paid to the respective allocations of the program funds and administrative expenses. in total, alabama's allocation is $162.5 million and 16.75% is allocated to administrative expenses. during the seven years of hardest hit assistance, the department of treasury has approved 12 term sheet changes for the state of alabama. our current portfolio of progra