jason, next setup, i think, is lenny. it's lenny and howard fighting. (man) scene 7. right. it's the dance. yeah. okay. so, um, it's on tracks, but i think it's curved. we're going to go back, forth; back, forth. (man) reality of the lines being perfect. mm-hmm. i'm not worried about the lines. i really am not worried about the lines. i'm worried about what's going on between you two. i think this last couple of -- all right. we just did something a second ago that -- it's gonna work? yeah. he started talking to me -- and then i walk away from him again. i like that. but don't make it comedy. ready to rehearse this? rehearse it once. let's do it. we're just shooting. we'll just shoot it. we shoot it. we shoot it. i say: why rehearse? let's do it, gang. the camera's rolling. good energy, guys! the camera's rolling. what are you doing now? stand by. scene 7, shot 7, take 1. did they say anything? no. howard. howard. howard, howard, howard. talk to me. talk to me. howard, listen to me. listen to me; listen to me. i want to tell you something. i have no idea what it is. and what