introduces the future master to the already famous european director, the son of the artist, rinourist jean viscontelly falls in love with his poetic style and becomes his assistant. we will omit the story of the young communist's political military ordeals, but his political views became crucial for the work of one of his parents. it was the creators of neo-realism who destroyed the pretentious fascist style, but realism was not a blast of power instead of glorifying military victories. he showed attention to the person of his personality. often to the social bottom of the pavilion in the cinema. replaced nature and naturalness with long close-ups. frame shake, metaphysical state of nature. everything. this was intended to reflect the inner world of a person on their money in rome at forty. the third year visconte shoots his film obsession however, as you know, the genius does not fit into the frame over and over again each new work, he will break out of neorealistic ideas. although the theme of beauty and death will run like a red thread, through each of his tapes in 1960, lukin visconte gives the

introduces the future master with the already famous european director, the son of the artist, rinuar jean visconte falls in love with his poetic style and becomes his assistant. we will omit the story of the political and military ordeals of the young communist, but his political views became crucial for the work of one of his parents. it was the creators of neo-realism who destroyed the pretentious fascist style, but realism was not a blast of power instead of glorifying military victories. he showed attention to the person of his personality. often pavilions in the cinema are used for social events. replaced nature and naturalness with long close-ups. frame trembling, the metaphysical state of nature. everything. this was intended to reflect the inner world of a person on their money in rome at forty. the third year visconte shoots his film obsession however, as you know, the genius does not fit into the frame over and over again each new work, he will break out of neorealistic ideas. the theme of beauty and death will be a red thread, through each of his tapes in 1960 lukina visconte gives the