jeffery hiller from hiller-minnis architects should you have any questions for the project sponsor. we're pleased to be here with us today this artwork programme works, as you heard, both with plans that the department wanted to see in terms of public access and with the spirit of public continuity. i'll go fairly quickly because of time. but the first diagram shows where the artwork is at the ground floor. there is a verbal scrim piece by the front door, the lower right there. and from there, you approach a major bust by plenza that keeps you ton path to the you believe elevator. the you believe elevator is entirely public elevator dedicated. doesn't serve any other purpose in the building. as you approach the building on freemont street, there is this scrim artwork by plesa, which is verbal, by the way. the khoils of that had to do with relating to the work by robert haas on site before in the poetry garden. there is a verbal connection between old art and prior art. so you come in and it is present to you, as you come in floating down and in english, it's by -- it is an homage to