created rights jenji kohan executive produces it and liz flay hiving carly mensch created it is a no but yeah yeah let's see a clip from glo watch so can working on these opening moves called the hammer and sickle. are just a punch. to the camera start with a body slam you get back up but then i think you know your speed so you know. that i did you got to eat it up. you carried on you turn it around on me you walk really up and you think you got me but then i come back with these soon to be famous. and then you know what i was i ben had you're good i'm winning. oh oh. good. you're here are. your love ripest wow entertainment weekly described glows as silly smart masterpiece unlike any show we've ever seem to what makes it's obviously it's different makes it so different i think the topic itself is very unique women's wrestling has never been. explored it was part of they have it on the sometimes on the monday night usa they have actual women's wrestling on but i think because this is sort of getting into what motivates people to want to wrestle and really it's much more about th

what i love about this season is we leave off right as jenji kohan, who is a writer of the show, wasath of poussey washington, who was a very beloved member of out cast. and we pick up right where it -- it's leaves off. so the entire three days of this riot are really in reaction to her death. and we're dealing with the consequences of that for, you know, 13 episodes. >> seth: is that very intense to take something, that obviously very emotional, not just for the characters but for the cast. because this was a -- and then you had to stay in that moment, those three days for i'm assuming months. >> six months. >> seth: six months. >> i mean it was actually like technically confusing. i had more notebooks as to what, you know, what room we were in at what time because they'd be shooting something and realize that two months ago we shot -- it was two hours ago. >> seth: right. >> it was so -- it was very confusing. >> seth: and there, because this is a riot, it seems like mayhem, but is it safe to say that when you have mayhem, it's actually more choreography than it would be -- >> yeah

it was, you know, my agents called me to say jenji kohan is producing a show for netflix.rom the '80s. and i was kind of like, "what an idea." and they were like, "no, it was a real thing." and i started googling it and the videos are crazy. it's the most bizarre thing. because it wasn't just wrestling. it was like a real outlier from what wrestling was at the '80s. and it's like hulk hogan and the iron sheik and stuff like that. and then these are like, women of all shapes and sizes, like on our show, they were actresses and models who got cast on this show, and learned how to wrestle. they don't just wrestle on the show. they do sketches and they rap. >> seth: yeah. >> they -- they rap. >> seth: yeah. [ light laughter ] there was a weird -- post the chicago bears super bowl shuffle, there was a weird low bar for rap. like everybody -- >> sure, blondie rapped, and rapture. >> seth: yeah. >> i feel like that's what their style of rapping -- >> seth: did you -- is it true that you had to rap for the audition? >> well, so, yes and no. >> seth: okay. >> they -- as part of the