SFGTV2: San Francisco Government Television
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Oct 27, 2011
10/11
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SFGTV2
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there was the e-mail that jeremy paul was representing them. we are now dealing with the only person who is a professional who is working with them. we really want for this to be resolved. my client wants a negotiation and i am not kidding you but we can't if we have someone who does not want to talk. at the last hearing there was a discussion of changing the motion from what has been negotiated to going back -- >> the city attorney tells me this is not on the request for a continuance. >> i am reminding the commission and i would ask you to set a firm date. i don't have any illusions that this would be settled by the 10th. but having this finished by the deadline before christmas. this is going on much too long. >> and is there additional public comment on item number one or item number two? public comment is closed. commissioner? >> i will make a motion, but i was about task. i assume the pause -- project sponsor has recall this. i will move to approve for a continuance. item a. and item b, to november 10. item #2 to november 2, also. commiss
there was the e-mail that jeremy paul was representing them. we are now dealing with the only person who is a professional who is working with them. we really want for this to be resolved. my client wants a negotiation and i am not kidding you but we can't if we have someone who does not want to talk. at the last hearing there was a discussion of changing the motion from what has been negotiated to going back -- >> the city attorney tells me this is not on the request for a continuance....
SFGTV: San Francisco Government Television
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Oct 15, 2011
10/11
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SFGTV
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jeremy paul. and want to echo my support for entertainment uses and wanted to bring up something that is lacking in this plan. the existing entertainment spaces are largely non- conforming uses, non-complying with the zoning. that means that if those buildings ceased to exist, then that use goes away. that used does not continue with the site. many of our most valuable entertainment resources in the district are in, generously speaking, structurally or physically threatened to buildings. buildings that have serious maintenance issues, serious structural issues, a different code issues. if someone were to be willing to make the investment to make some of these venues, take them down and build new buildings that would be more sound-containing, more problem-containing, have modern security devices and allowances for proper exiting, and more. we need to have a mechanism by which to transfer that non- conforming entertainment use into a new building if it is demolished. otherwise we are going to have t
jeremy paul. and want to echo my support for entertainment uses and wanted to bring up something that is lacking in this plan. the existing entertainment spaces are largely non- conforming uses, non-complying with the zoning. that means that if those buildings ceased to exist, then that use goes away. that used does not continue with the site. many of our most valuable entertainment resources in the district are in, generously speaking, structurally or physically threatened to buildings....
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in the men's game american qualifier jeremy chargin needed early two sets to stand on phillip paul shy but packing another american alex but from all of this now taking on troitsky nicola detect and metres from the play they call one of matches late. ever to emerge appear now where spanish. dross has dominated during practice for the malaysian grand prix the so honda rider was the fastest at sepang national circuit in all the conditions to draw circle the better of his teammate and newly crowned world champion casey stoner the honda team were not lies the leading positions their absence of the house of the renter the sidelined due to an interest suffered last week in australia. now the russian artistic gymnastic team have been ordered on their return to more scuba countries sports chiefs raising concerns about the judging at the recent world championships in tokyo russia finished third behind china and the united states for a month course or if not takes up the story. only thirty three thousands of a point separated russia's viktoria comal from the american world champion jordan weaver
in the men's game american qualifier jeremy chargin needed early two sets to stand on phillip paul shy but packing another american alex but from all of this now taking on troitsky nicola detect and metres from the play they call one of matches late. ever to emerge appear now where spanish. dross has dominated during practice for the malaysian grand prix the so honda rider was the fastest at sepang national circuit in all the conditions to draw circle the better of his teammate and newly...
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Oct 21, 2011
10/11
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WETA
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jeremy irons, kevin spacey? >> it does not get any better than that. stanley tucci, paul betony -- bettany. it is an incredible group of people. tavis: since you just ran that list, that is an all-star cast. what is it about this project that allowed you, as producer, to pull all of those folks to gather around this story line? >> i think it was the material, the caliber of the material, the way the material was written, which is a different point of entry than a lot of stories that deal with the subject matter have been. there is really no effort to cast judgment or break anybody over the coals, or lionize anybody as a hero against this kind of corruption. it is just examining the human side of the impact this catastrophe have on the people who were forced to make the decisions that ultimately led to it, because all of them were complicit in that decision making. tavis: we are talking around what the film is. let us go inside after i ask this question. the timing for this project is propitious. i have been reading for this conversation. people have been telling you the timing of this proje
jeremy irons, kevin spacey? >> it does not get any better than that. stanley tucci, paul betony -- bettany. it is an incredible group of people. tavis: since you just ran that list, that is an all-star cast. what is it about this project that allowed you, as producer, to pull all of those folks to gather around this story line? >> i think it was the material, the caliber of the material, the way the material was written, which is a different point of entry than a lot of stories that...