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the men behind the controversial production, and jerry springer the opera, has written the words. >> people confuse shock with the surprise. there are things that are comedic. the element of surprise is essential. i do not think that is controversial. if something is boring, i do not think you can do it. >> this set might look a bit kitsch and surreal, but behind it lies in a serious intent. it brings urgency to the art form and this place that they say would be lost if they relied purely on of the classics. >> there is more interest in new operas and there has been before. people are coming. >> love of the show are loath it, the producers will argue that the arts should support and risk taking and that their production has struck the right note. >> finally, a powerful eruption in that space. the strongest flare from the sun in the years has been seen. beyond these a great views, and nasa is warning that this could disrupt powered grids and satellite communication over the next few days. you will find that and much more any time at bbc.com. thank you for watching. >> hello and welcom

the man behind the controversial production, jerry springer the opera has written the words. he see it as an opportunity to shock traditional opera goers? >> people confuse shock with surprise. the surprise is totally essential. i don't think it's a controversial thing because i think that's boring. >> i'm standing on part of the anna nicole set. it might look surreal but behind this commission lie as serious intent, and that's to bring a sense of urgency and excitement to this art form and this place that they say would be lost if they relied purely on the classic operas. >> there's more enthusiasm for new opera now than ever before. if the american opera takes it up, it's a feather in the royal opera house's hat. >> love it or loathe it, they argue that public support is there to support risk taking, then their production has struck the right note. >> poles have just opened for a presidential and parliamentary elections. the two frontrunners for president, the incumbent, museveni, he's been in power for 25 years. also the doctor. he's described the election as far from far.

. >> the man behind the controversial production jerry springer the opera has written the words for anna nicole. did he see it as an opportunity to shock traditional opera goers? >> people confuse shock and tratchsti with surprise -- and travesty with surprise and the element of surprise is essential. and i don't set out to do a croffersal thing. -- a controversial thing. that's boring and i don't think you can really do it. >> and i'm on part of the anna nicole set at the royal opera house. it may look is your ral but behind this commission is a serious intent and that's to bring urgency and excitement to this art form and this place that they say would be lost if they relied purely on the classic operas. >> teles more enthusiasm for new -- there's more enthusiasm for new opera. the metropolitan opera takes it up, it's a feather in the royal opera house's hat. >> love the show or loathe it, the producers will argue that if public subsidy for the arts is there to support risk taking, then their production has struck the right notes. will gumpert, bbc nution. >> a chinese man has been pla

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. >> reporter: the man behind the controversial production, "jerry springer the opera," has written thes an opportunity to shock traditional opera goers? >> people confuse shock and controversy with surprise. as soon as you do something comedic, the element of price is essential. i didn't set out to do a controversial thing because that's boring. >> reporter: i'm backstage at the royal opera house on part of the anna nicole set. it might look a built kitsch and surreal. but behind this commission lies a serious intent. this is to bring a sense of urgency and excitement to this art form and this place. they say would be lost if they relied purely on the classic operas. >> there's more enthusiasm for new opera now than there ever has been before. people are coming. but the metropolitan opera takes it up or any major american house, it's obviously a feather in the royal opera house's hat. >> reporter: love the show or loathe it, producers will argue that public subsidy for the art is there to support risk-taking, then their production has truck the right now. ♪ a kiss ♪ >> reporter: bbc ne

yet, still -- it is almost like you are watching jerry springer. people coming out of the woodwork in favor of making these cuts that republicans did not want to own up to the fact that these cuts but not all of a sudden appear out of the globe. -- blue. they had a 30 or 40 years of off shoring jobs and sending industry overseas. now all of a sudden they are deficit hawks? it makes no sense. host: the lead story in "usa today." budget, a battle of words and numbers. that is from "usa today." budget committee chairman of the house, paul ryan, also on the sunday morning shows yesterday. all about spending. here it is. >> i am not worried about washington cutting too much spending too fast. the kind of spending cuts we are talking about right now are $100 billion out of $3.70 trillion budget. i an not concerned about that. what i and concerned about it is endless bar wing that would compromise our economy, not only today but the future. because we know the decisions we make right now dramatically impact as in the future and the debt is clearly getting

to hurt people down, that are low-income people yet you still see, almost like you're watching jerry springer. you see people coming out of the woodwork in favor of making these cuts that republicans don't even want to own up to the fact that these cuts didn't just all of sudden appear out of the blue, you know. they have had, 30, 40 years of offshoring jobs. sending industry overseas and now all of sudden they're deficit hawks? it makes no sense. thank you. >> host: lead story -- >> leave this program right now. you can find it in its entirety on c-span.org's. we have jacob lew with the president's budget request. >> i would make four short points. the first is that the forecast that we use has to be locked in for planning purposes as of mid-november of last year. so it predates the tax deal. as you know, many of the private forecasters upped their forecasts based on what was in the tax deal and most of that is not in the forecast. number two, real gdp growth on a year-over-year basis, the administration is forecasting 2.7% in 2011, 3.6% in 2012, and 4.6% in 2013. our growth rate for 2011 is