and yet the controversy surrounding that work led to jesse helms calling you a jerk on the floor of the u.s. congress, and you were-- you were vilified in the political world. what was that experience like? it was like something out of kafka where i wake up in the morning and found myself being denounced in congress. and of course, i never imagined that it would happen. the piece was not intended to be offensive or provocative, you know. at the time, i barely had any kind of reputation or audience so i didn't expect for it to do what it did. but, you know, it had its ups and downs, to say the least. (anderson) it was part of a larger series. you were working with several other kinds of objects immersed in different fluids. could you talk a little bit about the series itself? well, actually, i had begun working with, specifically, milk and blood and later went on to piss. but at first, the fluids were being used in a very abstract way. you know, sort of, you know, using them as pure color or pigment in the same way an artist would use paint, you know. but ultimately, i decided to refer i