(jim jarmusch) for us in new york at the time, in the late seventies, it was an idea kind of relatedo the music scene at the time, which was that we are not virtuoso filmmakers, but we have something we'd like to express. and that desire to express it was more important than having a more professional attitude, or having a lot of experience. (jim jarmusch) when i started thinking about "stranger than paradise," there were severe limitations as far as how much money i could get to make a film like that. (jim stark) "stranger than paradise" cash cost was $160,000, and it grossed many times more than that. jim's pacing was very slow and deliberate. there was a kind of irony in how he approached the world, which was not typical of filmmaking. there's a meandering approach that lets you decide what you thought was important about the story. the style of the movie and the sensibility of it were clearly emanated from the personality of jim jarmusch but also happened to be perfect for the financial circumstances and constraints under which he had to work. the idea of using actors who are pla