jim watterson, i don't bracket. tickly well. jim watterson, i don't know— bracket. tickly well.e,... he looks brave, courageous. i— print one,... he looks brave, courageous. ithink— print one,... he looks brave, courageous. ithink i - print one,... he looks brave, courageous. i think i would i print one,... he looks brave, l courageous. i think i would like print one,... he looks brave, i courageous. i think i would like to know how much _ courageous. i think i would like to know how much is _ courageous. i think i would like to know how much is going - courageous. i think i would like to know how much is going to i courageous. i think i would like to know how much is going to be i know how much is going to be distinctively british and how much is going _ distinctively british and how much is going to — distinctively british and how much is going to be content from the us versioh _ is going to be content from the us version. because they are quite different— version. because they are quite different styles between the types of publications. it is different styles between the typ

jim watterson the media editor at the guardian, just give us a reminder which newspapers and tv channelsassociated with saudi arabia. saudi arabia is a country with a lot— saudi arabia is a country with a lot of— saudi arabia is a country with a lot of money committed wants to improve its image and starts to improve its image and starts to improve its image and starts to improve its image abroad. there — to improve its image abroad. there is_ to improve its image abroad. there is no better place in the world — there is no better place in the world if— there is no better place in the world if you are a golf state to come _ world if you are a golf state to come to change your image than _ to come to change your image than london. with all sorts of institutions, football, media, education all up for sale and willing — education all up for sale and willing to take some money. so in the _ willing to take some money. so in the case _ willing to take some money. so in the case of the media, you've _ in the case of the media, you've got two really prominent examples, the london evening standard

jim watterson, media editor of the guardian, i don't know if you have seen the magazine, but what arecation at the moment is a very brave person, especially a print one, so i have to wish you luck. he looks brave, he looks courageous. i think i would like to know how much is going to be distinctively british and how much is going to be content from the us version. because there's quite different styles between the types of publications. it is looking very british at the moment, this one. it's got paul mason, ash sarkar. well, 100% of the launch issue has been generated in the uk. there are now 15 editions of rolling stone around the world, the original us one and 1a others — australia, south korea, china, japan, argentina, colombia, and so on. and all of that content goes into a big content pool, and any licensee can take whatever they want from that pool at any point. going forward, we have a licence that allows us to take 50% of any edition from the us and then beyond that from overseas. but we have such a strong music market here — well, and film industry — that we'll lead on briti