you know, he was like a 19th century jimi hendrix or somebody. so it was just really -- that was one of the things that drew me to his story. but, you know, the other thing i would say, too, like in trying to figure out how to tell the story, i began to think about other, larger question of the story of slavery in america. and one of the really, one of the linchpins of my novel becomes the draft riots in new york city in 1863 which, you know, as far as i know is still the worst example of race riots in america, but very few of us know anything about it, you know? so that becomes sort of the central piece of the back story in the novel whereas other things happen, you know, around that. so, you know, so part of the, part of my i project in the novel among other things was to bring tom's story, you know, to put tom's story back on the front page, so to speak, but also to, you know, to point to aspects of slavery such as the draft riots that we don't necessarily remember anymore. >> is there a counter master narrative you're taking aim at as you wri