did hundreds of music videos but take his mentor filmmaking and what why you liked the film about jimmy cliff the heard it out of a count of just tell me about as i said first generation british born black a very confusing concept in the early seventy's knew what we sounded like because we had our soundtrack we had reggae but had no visual accompaniment other than postcards from jamaica colonial images of a guy riding a donkey on a beach with a straw hat or people limbo dancing in the one nine hundred seventy one that all changed when i saw this film the harder they come directed by perry handel jamaica's greatest film and i walked out of that cinema empowered because i knew so much more about my culture and it was then that i actually thought i wouldn't mind expressing myself in some kind of visual medium but in the early seventy's ridiculous idea for a black man it was an old school white man network but then if i was six years later punk comes along with the d.i.y. ethic do it yourself i'm looking around in all my white mixer picking up guitars and i'm not worried i've been a pick up somet

where did they go in their later years of their liquids joints are still around and not around jimmy cliff lately i don't think it's the right question i think the right question is where are those kind of people who are in that tradition and in that lineage in the twenty first century who we're talking about people what thirty forty years ago and you know the last half of the twentieth century you can see there was a tradition of these people who would come up every ten years johnny rotten we should mention john leyden he calls himself now but in the twenty first century it seems to me that flatlined why that is i don't really know i have a feeling a lot of it's to do with the aspirations of the young themselves because when we got into this business or this. it's a form of expression i don't like the word business back in the late seventy's it was an anti-establishment thing but come the twenty first century it seems to me that a lot of people today the young want to get into it to be part of the establishment and if that's your goal i don't really know how radical you can be in a win ea

hundreds of music videos but take advantage of filmmaking and what why you liked the film about jimmy cliff the hardy lot of a count of just tell me about as i said first generation british born black a very confusing concept in the early seventy's knew what we sounded like because we had our soundtrack we had reggae but had no visual accompaniment other than postcards from jamaica colonial images of a guy riding a donkey on a beach with a straw hat or people limbo dancing in one thousand nine hundred one that all changed when i saw this film the harder they come directed by perry haendel jamaica's greatest film and i walked out of that cinema empowered because i knew so much more about my culture and it was then that i actually thought i wouldn't mind expressing myself in some kind of visual medium but in the early seventy's ridiculous idea for a black man it was an old school white man network but then five or six years later punk comes along with the d.i.y. ethic do it yourself i'm looking around in all my white mixer picking up guitars and i'm not worried i better pick up something too

where did they go in their later years of their liquids joints are still around and not around jimmy cliff lately i don't think it's the right question i think the right question is where are those kind of people that are in that tradition and in that lineage in the twenty first century who we're talking about people what thirty forty years ago and you know the last half of the twentieth century you can see there was a tradition of these people who would come up every ten years johnny rotten we should mention john leyden he calls himself now but in the twenty first century it seems to me that flatlined why that is i don't really know i have a feeling a lot of it's to do with the aspirations of the young themselves because when we got into this business or this. it's a form of expression i don't like the word business back in the late seventy's it was an anti-establishment thing become the twenty first century it seems to me that a lot of people today the young want to get into it to be part of the establishment and if that's your goal i don't really know how radical you can be in a win ear

did hundreds of music videos but take advantage of filmmaking and what why you liked the film but jimmy cliff the heard it out of a count of just tell me about as i said first generation british born black a very confusing concept in the early seventy's knew what we sounded like because we had our soundtrack we had reggae but had no visual accompaniment other than postcards from jamaica colonial images of a guy riding a donkey on a beach with a straw hat or people limbo dancing in the one nine hundred seventy one all changed when i saw this film the harder they come directed by perry handel jamaica's greatest film and i walked out of that cinema empowered because i knew so much more about my culture and it was then that i actually thought i wouldn't mind expressing myself in some kind of visual medium but in the early seventy's ridiculous idea for a black man it was an old school white man network. but then five or six years later punk comes along with the d.i.y. ethic do it yourself i'm looking around in all my white mixer picking up guitars and i'm not worried i better pick up something too

more she said the british black panthers told you about capitalism socialism is this big movement jimmy cliff was on this show a while back it was couldn't hide is just changed over prime minister david cameron and there's always a political angle in this photograph. i don't think what i would trying to do is to document something that people could see and it could inspire younger people and i think that was really one of my main aims to say look you know can look through this photo but you can do better so i wanted them to do things better than me and i know dick. than. anything the inspiration for all these images that take the inspiration to the young people but it was do better than me i don't know whether it's turning back to the seventy's but it's that's being blamed by black people as being blamed for a crime that the government saying that they should ban and music and that's to blame for crime would would you think of well i don't think that's sensible you know and because they'll get it anyway i mean you had a very successful community radio station which went to taken over by corpo

. >> jimmy: and i don't know who shot who, what went down. >> yeah, so last year's cliff-hanger, at leastlove of my life jahil washot, and killed. benjamin bratt is his -- he plays this character, and he got killed, and i just found out who did it. and unfortunately, it was my very own sister. [ gasp ] ♪ [ laughter ] okay, perfect. [ cheers and applause ] >> jimmy: oh my god. >> and so my sister, who's played by brandy norwood, evybody loves. >> jimmy: yeah, brandy. >> her name is cassie in it. so we're literally at the table. my gun is under here. we're at -- we've got guns to each other, and then it ends. so you have to tune in -- >> jimmy: alright, we'll be watchingr >> on septemth at 9:00 p.m. on fox to see who capped got, killed. >> jimmy: queen latifah, everybody. season three of "star" be premieres sept26th 9:00 p.m. on fox. [ cheers and applause ] we're doinsomething fun, maybe a little doo-wop when we come back. come on back, everybody. [ cheers and applause ] ♪ fact is, every insurance company hopes you drive safely. but allstate actually helps you drive safely... with drivewise