the organizer of this festival, and in any case, the whole effort of the festival was his, said jingle sign, now i don't know if we should say the same music as armagh , or armagh, but maybe it's the latin word. to make it more logical, i would like to point out that the two times i heard this work now, the original note at the beginning of this work has been cut, and i think. we wanted something to have an iranian identity , and as soon as i hear this work , i understand that it is a work in the footsteps of isfahan. now we can talk classically . is it a minor or is it isfahan tampere? we have to look at it this way . it has a completely iranian identity and when the general audience listens , they realize that they are actually working with an iranian musician. they listen to iranian music. this size in short, why should i refer to the music of the past, because the music of our past is, for example, a kind of music, which is like the scandalous ballad of our time , i am referring to this ballad. first, the melody was made, then came the words, the method surrendered. beautifully designed