, hay muchos músicos, ahí vimos a gabe manzo, y a jorge santana, entrevistaron a carlos santana, joan báez las marchas, en el piqueteo; algunos de ellos eran campesinos, habían trabajado como campesinos; así es que, nos dimos cuenta que lo importante que podíamos hacer nosotros con este documental, era contar la historia de césar chávez, de los campesinos, del movimiento, pero en la voz de los artistas, de los músicos, de los pintores, que, que estaban allí, apoyando, y basando su trabajo, es decir, su trabajo artístico en el movimiento de los campesinos; y, eh, bueno, muchos de ellos, los músicos y los artistas, estaban muy entusiasmados por la idea de participar en el documental, y bueno, yo creo que, que el resultado fue, tiene mucho, mucho poder, como dice el profesor carrasco, en presentar una nueva etapa del movimiento-- - así es. - y de la historia del movimiento. damián trujillo: así es; ¿y abel, yo sé que primero escribiste la canción, y luego hiciste un video de 2 minutos, y ese video lo, lo vio la poeta, la escritora, maya angelou, y te dijo, "tienes que hacer un documental, no

♪ joan baez: i think the deciding factor in whether you're gonna make real social change or not is risknd the farmworkers took the risks. ♪ as i walk along this land, i wonder what i'll see. ♪ ♪ see my brothers struggling struggling to be free. ♪ carlos: you're either part of the problem, or part of the solution. there ain't no in between. ♪ will i be forever young and will my soul be free? ♪♪ luis: we said somewhere along the line, beware of a movement that sings. taj: oh man, it was so exciting. the musicians were excited, the people were excited. dolores huerta: even though we don't know where this journey is going to end, we know that this journey is going to be successful, even if it takes a long time to get there. cheech marin: art was integral to this project right from the very beginning because artists are naturally drawn to those causes that are pure, they're naturally drawn to them, and they're--whether they're writers or they're musicians or they're actors or they're poets or they're painters, naturally they're drawn to that. maya angelou: cesar chavez, his dreams, his hopes

. ♪♪ [music break] amy: "diamonds & rust" by joan baez. this is democracy now!oodman with juan gonzalez. we look at the tragic shooting death of cinematographer halyna hutchins during the filming of "rust" last thursday in new mexico. it is calling attention to overall safety. yahoo! news is reporting the gun that killed halyna have been used by crewmembers just hours beforehand for live ammunition target practice by some members of the crew who use the prop guns, putting the gun that killed her come to shoot at beer cans. the film lead actor and producer alec baldwin later shot the revolver after he was reportedly handed it by the first assistant director david hall's who told him it was a "cold gun" meaning it was not loaded with live ammunition. a search warrant said baldwin was for person -- reportedly rehearsing a scene and pointing the revolver for the camera lens when it hit halyna hutchins and director joel souza. meanwhile, prop maker maggie goal, member of iatse, told cnn she had worked with the assistant director halls in 2019 and said he failed to ho