as they are saturated, nearly drowning in outside media influence the day the british director joanna hall takes a similar if far less hectic approach in her film, the souvenir part to read it in it, you recount was the story of her real life. and from the ordinary, one of my favorite clothes, these about us like a truly nothing seems to me who is quite dark, said to the extremely traumatic. oh, if it's a life in this deception this filtering at all to the cinematic means that cog as the director is using to process these buildings use many of the same tricks as parent tino but you'd never call them tarantino ask particularly instead they are using post modem, this methods to more accurately capture the felt experience of life for many of us at this moment. we're all of us are struggling, defined, reading from within our own personal digital information overload. you can call this modern isn't or hyper modernism or even post post. but whatever shape cinema is in now, whatever stories the next generation of directors wants to tell and whatever forms they decide to use to tell by any search