he visited the palestinian camps, met abu ali, honey, johariah, and their friends and filmed the refugeeناها للملايين باسمك باسمك يا فلسطين اعلمناها للملايين عاصفه عاصفه عاصفه عاصفه use the videos in a movie titled here and elsewhere. يا يحكى ان انا فداعي دعيه فدايه عصفه عصفه ن عصفه شعب شعب ايه شاعب غزه غزه ايه غزه بلدنا بلدنا ايه بلدنا يافا يافا ايه بسم الدم باسم الشور باسم الدم بسم الشرب اللي in the same year, the us proposed the peace plan to the conflicting parties in the middle east, the palestinians objected and started demonstration on the streets of jordan, the experience of accompany palestinians with. great revolutionary directors had awaken the dormant dreams of abu ali and his friends. when the photography department team, whose main members were mustafa abu ali, hany, johariah, and mersal, watched the recorded images of the demonstrations, they came to the conclusion that they have everything they needed to make a movie. so they started working and made a 20-minute movie called say no to the... plan, it was the first movie of resistance organizations, the movie was screened

great revolutionary. when the photography department team whose main members were mustafa abu ali johariah for their interest in cinema, the power of cinema and explaining the situation in the battlefield. the revolution cinema was the title fatal leaders chose for the palestinian cinema. mustafa abu ali in a statement wrote for palestine film foundation and highlighted the goals of the revolutionary cinema as follows: the sound of guns should be louder than any other sound. light weapons are the people's main weapons in the war, and in the same way light 16 mm cameras are the most suitable weapon for the cinema about people. the success of a movie should be measured by the same criteria as success of a military operation. they are both seeking to realize a political ideal. we creates a new people, instead of being refugees to be to be filters. this is very important. we were refugees, homeless. we became now fighters, freedom fighters. in the first step, the palestinian cinema changed a stereotypical image of the palestinian people. now after 20 years, the motivated pictures of the cinema

mustafa abu ali and honey johariah, two palestinians who studied cinema and were living in jordan, joined mersal. they had worked for the jordanian television for many years. they borrowed cameras from there and recorded everything as much as possible. demonstration. السلطه الوطنيه نبني السلطه الوطنيه نبني عالمنا الجديد في عيد راس السنه ولا يهتم بكم هو اجبن من جبان و and later a photography department was established and the first sparks of the palestinian documentary cinema were formed from the heart of that structure. the 60's was decade of the great rebellion of european filmmaker. in 1968, guddard, the most revolutionary anti-hollywood filmmaker, went to jordan. he visited. and their friends and filmed the refugee camps and gorrilla عاصفه عاصفه عاصفه بسم الله باسم الفتح باسم الثوره الشعبيه باسم الدم باسم الجرح اللي بينزف حريه باسمك باسمك يا فلسطين اعلمناها للملايين باسمك باسمك يا فلسطين اه لناها للملايين. used the videos in a movie titled here and elsewhere. غزه غزه. لسه بلدنا بلدنا ايه بلدنا يافا يافا ايه باسم الدم باسم الشرب باسم الدم باسم الشرب اللي بيمذف حريه باسم الله باسم الفن ب