he could not get it under 170 knots so john carpenter stayed and nursed it back to d-3. he was picked up by a flight and they got him back. when the navy put out the story, they put out he hit a cable. a wire to a power pole. and it took about three feet of his wing tip. he kept trying to get it changed. neal didn't work too hard but he d did not talk much. it wasn't about ego for him. stars and stripes did a story and he just said to me i brought this up and i used the navy version and i said about three feet neal and he said six to eight feet and it was an anti-aircraft cable. so we talked about that and other things that happened on the landing we didn't know about. he and i closed the bar together. he said i would like to have the facts known on that. and i said the book we have been talking about obviously the opening chapter and we are talking about your life of flight. not your whole life but your life of flight so i said that would be the perfect opening chapter. i sat down wrote it, sent to to neal, he checked and like it and i said that is the opening chapter.

he was flying the wing of major john carpenter. the division lead.and as kneele came a about 500 feet off the ground here was this anti aircraft cable jeff kopp was. he had to fight to keep it going the use tram. over a 350 not. about 20 feet off the ground and came back. he managed to now sit back up. he can land on the carrier because he could not slow it down enough without rolling. he stayed with the men arrested back to a marine base in korea. he ejected just as it went out over the cn came down and landed . they got it back. but when the navy put out the story, the navy public affairs put out that the in the cable, a guide wire is what they put out to a powerful. and it took about 3 feet of his wingtips. he kept trying to get that changed. he did work to lord added because he didn't talk that much to begin with. he did the stars and stripes. and so he just said, i brought this up. about 3 feet. six to 8 feet. he says, y'all. it was an anti-aircraft table. so that my we were talking and a few other things happen. so anyway, he told me, i would l

john l. lewis punch the carpenter -- head. this was the famous human industrial unions came into power and they wanted to draw how frightening it was. you can see lewis is very tall. it's a wonderful man to draw because he was so big and interesting. this is a display of union power subsequent to the passing of the act. this was a simple page where we apply the sumner idea. and cartoon cartoons you need to give readers breaks. which is different from print books. one more thing, the way his convey narrative. i think what i learned from paul in doing this book is enough to tell the stories one at a time. there's a famous case in the new deal called schecter. schechter poultry, right? the schecter's work chicken butchers in the government came, right in brooklyn. do you know them? we can talk. [laughter] they broke the rules of one of the national recovery administration codes and they were prosecuted and targeted sort of like al capone. the administration was at pains to demonstrate the constitutionality of the nra, the centerp

john l. lewis punched the car carpenters' unin head? that was a famous scene when the industrial unions came into power, and we wanted to draw how frightening it was, you know? so this, you can see lewis is very tall. he's a wonderful man to draw because he was so big and interesting. this is sort of a display of union power subsequent to passage of the wagner act. this is a simple page where we replied that sumner idea of who the forgotten man is. i think in cartoons you need to give readers breaks which is different from print books, and i'm just going to show you one more thing. the question of how do you convey narrative, i have narrative all over the place. i think what i learned from paul and in doing this book is you have to tell the stories one at a time. there was a fake case in the new deal -- famous case in the new deal called scheckter. scheckter poultry, right? little chicken butchers, and the -- >> [inaudible] >> right. and -- right. in brooklyn. do you know them? >> [inaudible] >> we can talk. [laughter] so they, they bro

would wind their way through the streets of these little subdivisions where john and annie glenn lived next to scott carpenter and his wife renee, where betty grissom and jo schirra lived a few streets down, where the media attention on these families was so acute that renee and jo had doorway built in between there two yards which they called the rabbit hole and that they could scurry back and forth between during a flight so the press wouldn't see them. astronaut kids were chased down the halls of the holiday inn when they went to visit and were always told not to open the door to many reporters because they had this exclusive agreement with life magazine. one anecdote one of the astronaut kids shared with me that i always have fun remembering is daring apollo levon, that flight, the wives first of all, janet armstrong, pat collins, buzz aldrin's wife joan, had to hide in back seats of neighbors cars, go to the beauty parlor, the grocery store, there was a media circus on their suburban lawns. at one point of michael collins's kid opened the door and they were given a present of a panda bear, two journalist

would wind their way through the streets of these little subdivisions where john and annie glenn lived next to scott carpenter and his wife renee, where betty grissom and jo schirra lived a few streets down, where the media attention on these families was so acute that renee and jo had doorway built in between there two yards which they called the rabbit hole and that they could scurry back and forth between during a flight so the press wouldn't see them. astronaut kids were chased down the halls of the holiday inn when they went to visit and were always told not to open the door to many reporters because they had this exclusive agreement with life magazine. one anecdote one of the astronaut kids shared with me that i always have fun remembering is daring apollo levon, that flight, the wives first of all, janet armstrong, pat collins, buzz aldrin's wife joan, had to hide in back seats of neighbors cars, go to the beauty parlor, the grocery store, there was a media circus on their suburban lawns. at one point of michael collins's kid opened the door and they were given a present of a panda bear, two journalist

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