say, and they wanted to make sure that everyone knew that brian may wrote we will rock you and john deacone riffs for another one bites the dust. so it is about the kind of collective. and it takes a fairly linear romp through how they met at university and then how freddie joined the band and how he changed his name from farrokh bulsara to freddie mercury. and then from killer queen on top of the pops to we will rock you, all the way to live aid. that's when it climaxes, in 1985, that famous show of all shows. most people agree queen stole the show of all shows, and freddie mercury was fantastic that day. the film climaxes — no spoilers here — in a sort of step—by—step shot—for—shot recreation of that gig, which is quite extraordinary. so the film has its high points, and it has its low points, when they argue, but it doesn't quite go into the real wrestling match that freddie mercury clearly had with his sexuality. i mean, when freddie mercury died of aids in 1991, the world was shocked. it was like, "freddie mercury is gay?!" you watch this and you think, well, how did he get away with

their hits, and how they used to in studio with their big hair — brian may and roger taylor and john deacon all their little tiffs got turned into the famous riffs that we know. stamp to this beat. come on. now i want you to clap on the third beat. what's going on? you would know if you were on time. i want to give the audience a song that they can perform. so what can they do? stamping. imagine, thousands of people doing this in unison. huh? what's the lyric? # we will, we will rock you! of course, thousands of people did do that, hundreds of thousands. they're doing it now. maybe millions. but none the less, her critics have sort of said it's a bit of a sanitized version of queen. what do you make of that? it is. i mean, it was produced by brian may and roger taylor in a way, so they definitely had a say in they wanted to make sure that everyone knew that brian may wrote we will rock you and john deacon came up with the riffs for another one bites the dust. so it is about the kind of collect this. —— collective. and it takes a fairly linear romp through how they met at university and then

it's all brian may, roger taylor, john deacon, and how they argued, and all the little tests and howy became riffs. stamp to this bait. come on. now, i wa nt stamp to this bait. come on. now, i want you to clap on the third beta. what's going on? i want to give the audience a song that they can perform. so what can they do? imagine, thousands of people, doing this. yet? what is the lyric? we will, we will, rock you. we will, we will, we will, rock you. we will, we will, rock you. of course, thousands of people did do that, hundreds of thousands, maybe millions. critics have said it's a bit of a sanitised version of queen, what do you make of that? it's a bit of a sanitised version of queen, what do you make of that7m is, it was produced by brian may and roger taylor, and they want to make sure that everyone knew that brian may route we will rock you, and roger deacon came up with another one bites the dust. it's a fairly linear ramp typical romp through everything. it's about her freddie mcg rew everything. it's about her freddie mcgrew changed his name, and then killer queen, two we

say, and they wanted to make sure that everyone knew that brian may wrote we will rock you and john deacon name from farrokh bulsara to freddie mercury. and then from killer queen on top of the pops to we will rock you, all the way to live aid. that's when it climaxes, in 1985, that famous show of all shows went down. most people agree queen stole the show of all shows, and freddie mercury was fantastic that day. the film climaxes — no spoilers here — in a sort of step—by—step shot—for—shot recreation of that gig, which is quite extraordinary. so the film has its high points, and it has its low points, when they argue, but it doesn't quite go into the real wrestling match that freddie mercury clearly had with his sexuality. i mean, when freddie mercury died of aids in 1991, the world was shocked. it was like, "freddie mercury's gay? !" you watch this and you think, well, how did he get away with it? that's the real story, and that's not quite what's gone into. the band seems to have tutted at freddie's excesses and his debauchery, and go home for their cup of tea with their wives. and it's

their hits, and how they used to in studio with their big hair — brian may and roger taylor and john deaconttle tiffs got turned into the famous riffs that we know. stamp to this beat. come on. now i want you to clap on the third beat. what's going on? you would know if you were on time. i want to give the audience a song that they can perform. so what can they do? stamping. imagine, thousands of people doing this in unison. huh? what's the lyric? # we will, we will rock you! of course, thousands of people did do that, hundreds of thousands. they're doing it now. maybe millions. but none the less, her critics have sort of said it's a bit of a sanitized version of queen. what do you make of that? it is. i mean, it was produced by brian may and roger taylor in a way, so they definitely had a say in they wanted to make sure that everyone knew that brian may wrote we will rock you and john deacon came up with the riffs for another one bites the dust. so it is about the kind of collect this. and it takes a fairly linear romp through how they met at university and then how freddie joined the band