and turns on itself, dana gold, john delaney. yeah. fight you are fighting a savage. pho, when. when that flip flips and you turn on yourself, it's the irish irish and inches tucker, this names are cincy. come down stealthily on that rope in the room. you don't even know, brother. um, so i know that directing a documentary, as errol morris will tell you as different chops, than to writing a theatrical release or something like that, or a comedian special. tell me what the joys and the rigors are. each of each one of those 3, bob, what style? documentaries. what did you enjoy and what, what do you find arduous, what documentaries is, is, is different because the, i here are limitless. you know, you can narrate something, you can animate something, you can, you can tell the story a 1000000 ways when dana were make it doesn't. dana told me that we didn't like each other and i always hated them. i was like, secretly i went, oh, i think i got a narrative here. i actually, i but damn, if this narrative has to play out, i'm going to have to apologize to him. i don't. and i made myself