john i was sitting up in the left-hand corner. we go up and find that. we pull little john i and talk to little john i. * johnny. it's not for prosecution at this point. we use the reward program. it's to identify them because we'll get them after that. now, what if i got identified merc through one of these things? that's a big way for us to help get a good case on someone. this is an example of some of the reward posters that we do. we also have -- in phoenix, we have those little flash cams. i think we had some over here, the vendors area. flash cams are awesome. these people don't even understand. we even have some flash cams that talk to you. you are trespassing in the area. vacate the area. they don't care. they just keep tagging. we use some of those flash cams to put on these -- put on here to try to catch them. put them on the media and catch them that way. all right. some of the fun parts on why we're doing what we're doing. >> hey, mike, [speaker not understood]. >> joe? >> yeah. >> i don't know what he he does, man. [laughter] >> anybody know about sheriff joe? crazy. >> [speaker not understood]. [lau

the things that i liked and wanted to put into it, the sense of the land and the kind of folk tale told in a john ford vista, that's all free, that's there. (woman) johnny(john milius) you just have to be inspired by "the searchers" or something else good to steal and i didn't need a big budget. (harmonica playing) in those days, that was the end of the 60s, the studio system, which had had such force in the 30s and 40s and had difficulty in the 50s, was really nearing the end of its thrust. but it was still in place wielding considerable power and held things in a considerable inertia. so the option of 25-year-old's who were interested in film was not as clear as it is today to get into the industry, because once you got in, it was kind of unnerving how sclerotic it was. the studios were still turning out films like "darling lili" and "they did paint your wagon," where clint eastwood and lee marvin got to sing. (peter biskind) they were all trying to repeat the success of "sound of music" and "my fair lady," with little success. and a lot of the studios were close to bankruptcy. some studios were put on the block. a number of executives lost their jobs

the things that i liked and wanted to put into it, the sense of the land and the kind of folk tale told in a john ford vista, that's all free, that's there. (woman) johnny(john milius) you just have to be inspired by "the searchers" or something else good to steal and i didn't need a big budget. (harmonica playing) in those days, that was the end of the 60s, the studio system, which had had such force in the 30s and 40s and had difficulty in the 50s, was really nearing the end of its thrust. but it was still in place wielding considerable power and held things in a considerable inertia. so the option of 25-year-old's who were interested in film was not as clear as it is today to get into the industry, because once you got in, it was kind of unnerving how sclerotic it was. the studios were still turning out films like "darling lili" and "they did paint your wagon," where clint eastwood and lee marvin got to sing. (peter biskind) they were all trying to repeat the success of "sound of music" and "my fair lady," with little success. and a lot of the studios were close to bankruptcy. some studios were put on the block. a number of executives lost their jobs

>> john: do you think we'll see a day when we can start carrying mouthwash or hair shampoo on to a plane again? >> i hope so. >> the tsa administrator's name is john pistol. it could have been johnny bang bang. >> john: isn't this why other nations think we're nuts. our gun laws, other nations think we're crazy. how students in asia don't want to come here and study because they're terrified. >> make us look like a bunch of paranoid losers or even worse we have a political system built on fear and the more we obey, we'll keep showing up. >> i think it is an issue of pure laziness. the tsa said it is too difficult to find those little knives. well, isn't that the point? sometimes the most smallest minute things are the most dangerous like a hole in a condom. my son was born that way. it is missing the larger point of sort of -- >> asian kids don't want to come here and study anymore everybody else's grades go up. we're all making as now. >> john: do you guys foresee a point in time when we'll ever be able to board planes the way we used to? >> no. >> with a cigarette, no i.d. >> john: without taking your shoes off without making 90-year-old people get out of their wheelchairs? >> i

johnny john under $80 a share. i'd be very happy to take it off your hands at that level. ink that's the right move, too. >> certaner. the backlog is up huge. pushed up against 100 bucks. today, another all-time high. the valuation, yeah, it's rich. but so is the short interest, it's pretty phigh. i think the stock runs higher. >> let's get to the newest game that we're adding to our "fast money" repertoire. >> what's that? >> background first to it.ç microsoft's market cap topping google for the first time since november. today, these two companies are in a virtual tie. so -- who would you rather? >> rather what? >> my so croft or google? >> why can't i have both? >> greedy. >> well -- >> who would you rather buy? >> the market cap shouldn't be the decision factor, whether or not you're going to buy one or the other. it's interesting they are parity. here's the difference. one company can be seen to be no growth, maybe even a meting iceberg at some point. the other one is ticking away at 20% growth, has a printing press in its basement and really is not falling vick tum to

i had to get my list here. tom coburn from oklahoma. next up is -- this dean heller. republican from nevada. lamar alexander, republican from tennessee. bob corker, also a republican from tennessee. and john hoevin. johnnycker from mississippi. there are a couple of reasons why we have these guys on this list. all of them voted yes. there was an initial filibuster attempt to stop the debate on background checks. these guys all voted to overcome that fill buster and at least allow the debate. so at least on some theoretical level, you look at roger wicker, put him on there and found no evidence that he was really interested in voting for the back ground check, from a -- sort of very conservative state. he has an a-plus rating from the nra. he did vote for this. some of the others, though, he did vote to get to the debate. some of the others, though, really did flirt with background checks. one that stands out the most there is tom coburn. tom coburn spent, you know, a long time negotiateding with chuck schumer and looked like this was going to be the big republican get for schumer and was going to get a very conservative oklahoman and this was how background checks would get through. and -- trying to fig