but today john lee hooker is a monument. i mean, he is bigger than big, you know. with the way he was doing, he had a style that was his. there was no copying. he's got people running around trying to figure out, "what are you doing? how do you do that," you know. so i decided to try to play like muddy waters, elmore james, and all these different blues people. i tried to learn this when my mother went to the a&p. [laughter] you understand? see, 'cause she didn't deal with the guitar. she didn't like it. she loved that violin, but that guitar was just not the right thing to have in her house. you understand? and she told me many time, "don't bring that in here, boy." and like, she wanted to kill my sister for giving it to me. you know, like, she said that i was going to be worthless. and back then, i can kind of understand that i wasn't even allowed to have a funny book in the house. mama said that was bad news for the brain. and i agree with her. it is. it's something-- when i should have been learning arithmetic and all, whatever, you know, looking at batman and