we'll also talk to the playwright john logan and the director michael grandage. >> although i never met rothko, i kind of loved him. it's because he embodies what i think is the greatest quality of any artist, which is... i mean, any creative person, which is that he's much, much more concerned with being listened to and understood than he is being w being liked or adored or admired in any way. >> that, for me, is what resounded in the play is that feeling that it's something that everyone can associate with. ken arrives on day one incredibly nervous. he then gradually learns from and sort of through osmosis and through listening takes on a lot of what rothko's saying but he also has this world outside the hermetically sealed submarine that is the... that is rothko coe's studio and begins to start to challenge rothko. >> the whole play, really, is an emotional and intellectual debate between two people where the paintings are, if you like, the third party in that debate. >> what i always say about the process of "red" is that it is a quartet. four people made this play, it was michael,