if you want a fun time, john newman is who you call.ting a song 5tarted, he is good at getting a song started, you know. he is a wicked quy~ started, you know. he is a wicked guy. big up, jame5. started, you know. he is a wicked guy. big up, james. it has been a foil when. i did some interviews and took my motherfor foil when. i did some interviews and took my mother for lunch. howl foil when. i did some interviews and took my mother for lunch. how i am feeling about performing it in front ofa feeling about performing it in front of a room of critics, i am excited because... i'm not being big headed but every time i have done a gig people say my boy sounds great and thatis people say my boy sounds great and that is one thing i always feel confident about, seeing life. i love it. so it isjust confident about, seeing life. i love it. so it is just the confident about, seeing life. i love it. so it isjust the reason confident about, seeing life. i love it. so it is just the reason that i do music. i am not that nervous. oh, it is your son.

.# ..john newman, who you might know.ever wanna let it go...# it looks just so fun. it looks like the most amazing place to perform, and it kind of looks a bit like the olympics. # i hear you calling me at night. # whenever wind is blowing...# it's hard to say what a eurovision song is. i think it's about finding a song that connects to people, and that's what i hope we've done with our song and we're going to, you know, try and connect to many people as possible. # it's all good in the good times. # but i'll still be there when it all goes wrong. # yes, i will...# i wrote it in scotland, with three of my friends — ed drewett, iainjames and adam argyle. and we got, like, little house by a loch, jumped in the loch every day — this was injanuary as well — had a few whiskies and watched a documentary about these divers in the north sea and how one of them got cut off from everyone, stuck at the bottom of the sea, and how they all saved him. and then it got us think about, like, what people would do for other people, and then

john newman meyer at work with act fast. and internationally renowned choreographer to pick some grooves of emotion in the language of dance. it's been done in time of the grateful person and that might be why i'm a happy person and privileged to get to do what i love most. for johnno i mire the artistic journey has always been more important than a destination. and i live and i define my life is a painting dance is the frame. his creative home is the ballet center hamburg. site is she ever since i've been a choreographer my aim has been to create a sort of microcosm of the world on stage after the it's. a microcosm that includes the underworld johnno meyer is staging orpheus and euro to see. where cliché you see it is stick soon says the narrative is the creative process itself is in and there's nothing better than entering a space feeling extremely nervous and uncertain. your dancers looking to you with huge expectations on to the sound of music that moves you hear it and creating something that hadn't existed before us th

john i am. backstage he can graduates the company. newman. have this ballet it is your reality so please. take care let it grow that it grow in move let yourself grow as artists when you do it ok i will be thinking of you and it can be any moment i may come back and see what you're doing it's a big careful ok i could be there any moment. if he sees dance as a form of human expression and its purpose above all is to convey a feeling. i don't care if you miss one step and i don't care if you fall down but eat because you have a fantastic technique so it's not all blame little or no it's not equipment cares about them is to is to project this this incredible pains inside it that you have this is a good ok yeah about this here. thank you thank you very much thank you it was a great. new myers life is a whirlwind of premieres revivals and rehearsals his calendar is packed with engagements. today he's presenting his latest piece oldfield billy deeds to the press ahead of its premiere in hamburg it's a coproduction with us operas for neumeier the challenge was to put the ballet and the opera on