pryor lowing if you sum it up john reilly you're a pro at all you've accomplished your music change the industry as well as society what do you think the next big revolution in music will be consist of. that's coming. while you know if a new ad out is. make a whole lot of money you know that's the thing about everything goes around comes around you think in groups come back i think that's that's what's needed and i think you know whenever it is there's an absence music usually fills that void so you know you have so many solo artists it's time to swing back to groups brother maybe a band you know i mean then and so again of the new music would instruct the instruments that they're really capture everybody's imagination and mine in a girl arts game and you know so i think music always finds a way and you know it's like water you can't really hold it you can only you know roll with it evolving ego what's your role in mentoring the upcoming generation of entertainers just obama example you know i'm not somebody who's no mine you know i'm i'm i'm busy. and so i want to live longer but i jus

john c reilly wasn't going to improvise a song. that eating a producer, -- being a producer taking on , people in the film is a little like hosting the crew with jeff. we had this group of people in the middle of nowhere. we have these ships afloat and anticipate and think on our feet. we just make good choices and take care of everyone. that is the description of what happens on a movie like that. for me it was mostly about acting but i would help in whatever way i could. setting the tone, taking pictures. i was set photographer for days. alison: in the promotion of the film, you guys have embraced some of these criticisms, you took them on as a badge of honor. before you started the film, did you focus as producer and director and as friends and you could say this is what we are doing, we know this could have been thorny for some people. what were those conversations i? -- mike. -- like. >> we had to tell people that it was little hours and not an adaptation of the decameron. even though the book was written in 1350, it still rum

john c. reilly wasn't going to improvise a service.ng a producer on the film was a little bit like hosting the cast and crew with jeff. we have this group of people in the middle of nowhere in tuscany. we're trying to keep this ship afloat and anticipate disasters and think on our feet, and just kind of make good choices and take care of everyone. i think that is the overall, you know, description of what happens as a producer on a movie like that. for me, it was mostly about acting, but i would kind of help in whatever way i could. just -- jeff: setting the tone. she titled the movie. aubrey: whatever needs to be done. host: in the promotion of the film you have embraced some of the criticism. badge ofken it on as a honore. criticism from various catholic groups. before you start of the film, did you folks, as producer and director, and friends, sit down and say, ok, this is what we are doing, we know this could be thorny for some people. what were those conversations like? jeff: i was not over thinking that kind of stuff. it did not