possible of the army g-8, and in particular, the army quadrennial review office, with major general john rossi and others. their assistance has been invaluable. we also received a great deal of support from u.s. pacific pant, u.s. central command, the service component commands underneath them, the joint staff, o.s.d., et cetera and their contributions to the substance of this report have been both invaluable and many times ground-breaking in the ideas we arrived at through their assistance. we had a great working group and a great senior review group who spent time with us going over our ideas, flushing things out and testing things. they, too, deserve some credit. you can can see who was involved in that when you leaf through the report. we are indebted to several c.s.i. senior scholars who helped us a great deal in guiding the report and arriving at the original insights we came to. let me publicly mention the research team who worked very hard at getting a report that i think will be influential going forward in the defense review service. stephanie sanek, senior fellow and future director

rossi. the first bertolucci films. antonioni. visconti. pennebaker, leacock. shirley clark. the maysles. john cassavetes.cheting bullets) (jazz music playing) (peter biskind) all these kids were steeped in old hollywood movies, the movies of john ford and howard hawks and particularly in hitchcock. films were filled with homages to one director or another, and often entire films, particularly brian de palma's beca reworkings of hitchcock's films. surprise. hey, now you know you're not supposed to cut the cake until you make a wish and blow out the candles. well, i was very interested in that period of my career of learning how to express as clear in images as possible. and many directors of course are drawn to hitchcock. so i patterned something on very much like "psycho" and then created ways of characters observing others and following each other and learning specific hitchcock vocabulary. (loud, disturbing music) what is cinema and how do you express things in purely cinematic terms without trying other forms, which are, basically, me talking to the camera. (loud, disturbing music) it did become a lim

possible of the army g-8, and in particular, the army quadrennial review office, with major general john rossi and others. their assistance has been invaluable. we also received a great deal of support from u.s. pacific command, u.s. central command, the service component commands underneath them, the joint staff, o.s.d., et cetera and their contributions to the substance of this report have been both invaluable and many times ground-breaking in the ideas we arrived at through their assistance. we had a great working group a great senior review group spent time with us going over our ideas, flushing things out and testing things. they, too, deserve some credit. you can can see who was involved in that when you leaf through the report. we are indebted to several c.s.i. senior scholars who helped us a great deal in guiding the report and arriving at the original insights we came to. let me publicly mention the research team who worked very hard at getting a report that i think will be influential going forward in the defense review service. stephanie sanek, senior fellow and future director of t