i tried to pre-empt him and say what about john williams? i'm a huge john williams fan.es. he says do you understand what we're trying to do? do you understand the formula here? we're trying to make an album that's easy to listen to, that features you as a singer, without all of the lengthy jazz solos and everything competing with your voice. i said yeah, i think i understand that. he said, well, you should write it. you should do all the work you normally do to preserve your own musical identity. >> larry: what about the musicians? >> well, some of them are guys that have been in my band forever. but when we record in l.a. they're the best musicians in the world, bruce dukeoff, the concert master. i mean, these people are amazing. and when you stand with you a conductor's baton after having spent hours and hours writing these stores and you stand there conducting them you stand in front of the greatest musicians in the world. so. >> but he relaxed greatly. after the basics were done, we looked to soloists because this album does have branford marsalis on tenor sax. it d

so i tried to preempt him and say what about john williams or quincy jones.understand what we're trying to do? do you understand the formula here? we are trying to make an album that is easy to listen to that features you as a singer. not the lengthy jazz solos competing with your voice. i said, yeah. he said you should write it to preserve your musical identity. >> larry: what about the musicians? >> some of the guys that have been in my band. bruce dukoff. when you stand up with a conductor's baton and start to conduct them you are standing in front of the greatest musicians in the world. >> he relaxed greatly after the basics were done. we looked to soloists. it has brandon marselis and winton. >> larry: besame mucho. >> my dad is fascinated with spanish culture. he studied to be a matador. he has been bugging me to record besame mucho for years. i said what do you think about "besame mucho"? does that fit the criteria. he said that is great. what about singing half in spanish and half in english. to do that for my pop who speaks spanish. >> larry: do you

such a fine athletic play by john williams. litterial: coach biedenbach is really high on williams. he needs him to come out in the big south conference and play with a vengeance. he's one of those guys that is versatile, can play inside or out. so he's going to pay dividends for him in conference play. matt: and slowed by that virus. six of his eight points and there's a hook shot by williams. came in late in the ballgame and he's just working himself back in after he was sidelined but a year ago, averaged 13 points per game. as i mentioned earlier, 13.4 in conference. shot 60% from the floor and had 76 walks, number thrshots, numb conference. litterial: he's an athlete. he's an athlete. he's going to be good in that conference. so much time in the middle. matt: georgia has some players on the floor getting their first action of the season. tyler whatley, number 25 down underneath the basket right now. having his hands on the ball now. litterial: it's good for georgia to get some minutes here. they're going to need them. i mean, it's going to take a total team effort because they a

the films of william wiler, john forge just to name a few. i've always believed that to truly entertain and fully engage your audience, you must always fully engage with yourself. you have to -- you must engage fully with your audience, engage with their fears and passions and what life is actually like with history and you have to engage with imagination. artists are at their best when they are not treated like subjects so over the course of the years i've changed and who wouldn't want to be able to say that. more than any other factor it was having children of my own that made me take on films like "schindler's list" and "saving private ryan." i don't feel like those are necessarily superior to films with lighter or more fan it's a cal subject matter, my kids want me to get back to making those pictures. but i can observe there has been a darkening of my choice in material and my treatment of it which reflects the gravity of being a dad. i'm not saying that my children are told me grim, old maybe, but not grim. watching children grow simult

john duffy. and good hands by landis williams to get the touchdown. and not the biggest bobble in the world. >> the score is good. declined. and on. and maine has been sensational and two big plays. the first drive and took it down the field. and put them in scoring position and right here. double line backer blitz and throw it over the top. and make a play. >> look at the scores. a minute 14 off the clock. and you saw mike brusko jumping in and he has had a whale of a game. and he ends up knocking up punts that are deep. and eight catches for 50. and eight for 50. and look at it. and say they don't blow you away. and would you want him to have, 80, 90 yards. and critical plays in critical situations on 3rd down. where they have been able to take care of them. 3-1st down catches. he has out played his counter part. and of course, we still have a second half of football to be played. 101 to go. so, this game is far from over. we have a competitive football game in durham. and kackert is picking up the football. and with the move. and he will bring him

gravity's rainbow, the collected stories of eudora welty, the collected stories of john cheever, the collected stories of williamaulkner and the collected stories of flannery o'connor. and what we announced this shortlist in the third week of september, rate between the release of dan brown and the new oprah selection, it's very strategically. at the great thing that happened with this program as we did it all summer, was it brought together, i remember one day in the grove atlantic conference room we had jamie and patricia from barnes & noble. we had just run strauss. either on the phone or in the room we had every major retailer that gave us reporters from amazon, from the aba, most of the major publishers. all sitting together trying to come up with a way to make you aware of the six great books. it was a very inspiring moment. we fan out to hope and i think we really hoped that we might get two or 3000 votes. we set this out online. would a five-week voting. we optimistically said to the board that our goal was 5000 votes. we ended up getting over 10,000 votes. thank you to all of our partners and i endeavor

john became an economic after 21 years as a journalist. reed williams. reed covers police in courts for the richmond times dispatch. formerly he was with the roanoke times and the charlottesville daily progress. and carina zarik. she heads up the committee's freedom of information and open government operations. she teaches both at the university of maryland and american university and formerly reported if. des moines washington. please join with me in giving these fellows a warm washington round of applause. i used to work with a reporter named a -- hassenbeck. he used to say live your life to avoimed cheap ironies. it's too easy. it's why you never change flights at the last minute. you hope to get home to wife and baby daughter a few hours early. the rule was never make it easy for reporters to come up with a mindless leads which appears to be a poignant fact that sums things up. when i invited our keynote speaker i ignored his rueful. jayson blair keynoting an ethics insurance tutes? why not osama bin ladena -- laden addressing bay knits? one flash p

the thumbs of william wyler, david lean, john ford, to name a few.i have always believed that the truly enter kaine -- that to truly entertain, you must fully engaged with yourself. you must engage fully with your audience but engage with their fears and passions, you must engage with what life is actually like, with history, and you have to engage with imagination. audiences like the citizens of democracy are at their best when they are not treated like subjects. over the course of the years, i have changed. more than any other factor, it myn that encouraged me to take onmyn films like "schindler's list" and "amistad" and "saving private ryan." those funds are not more fantastical subject matter. my kids want me to get back to making fantasy movies. nevertheless, i can observe there has been a darkening in my choice of material and in my treatment of it which reflects the gravity of being a dad. i'm not saying my children have turned the gramm, old navy, but not grim. watching children grow simultaneously, it connects you with the future and also po

william haig and alvin and other senior members of the commons, john naples there. we would hardly point out there's room for 650 m.p.'s in the house of loords. so they'll all have to crowd up to the bar, the rail of the house of lords, to listen to the queen's speech itself. as we looked at the pictures, it is a bit of a push. >> this would be the first time f ever seen the queen. at 4'10", i don't get a chance. [laughter] >> tessa, you're with us today and as cabinet minister, you have quite a place. what is the experience like when you get in? >> rather -- it is a bit of a crush. and you know, i'm 5'3", but i have to stand on my tiptoes. i was saying to nick earlier, it was the best view i have had as 80 creers as a member of parliament. and bringing a minister, doesn't give you the front rank in the queue. >> let's look at the -- at the house of lords. gordon brown is the speaker and william haig are already in waiting. we'll next see the lord chancellor, jack straw preparing to deliver the speech to the queen. signal has been given by the doorkeeper. rah r-and

degrees, john became an academic in northern new york city. reed williams, formerly with "the daily progress." and she heads of the committee's freedom of information and open government operations. she teaches at the university of maryland and american university. please join me in giving these fellows a warm round of applause. [applause] tonight, -- i used to work with a reporter that covered federal courts and went on to become insanely successful journalist that spoke to many movies and big budget movies with the likes of bruce willis, colin farrel and samuel l. jackson. he said to never change flights to the last minute. if anything happens, you will be there at the lead of the disaster story. so the rule was, never make it easy for reporters to come up with a mindlessly that contains what appears to be some poignant fact that some things up. -- sums things up. when i invited our speaker, i ignored that rule. it is rather strange, jason blair speaking on ethics? why not bernie madoff speaking to financial planners? i wrote back that because i was intri

degrees, john became an academic in northern new york city. reed williamserly with "the daily progress." and she heads of the committee's freedom of information and open government operations. she teaches at the university of maryland and american university. please join me in giving these fellows a warm round of applause. [applause] tonight, -- i used to work with a reporter that covered federal courts and went on to become insanely successful journalist that spoke to many movies and big budget movies with the likes of bruce willis, colin farrel and samuel l. jackson. he said to never change flights to the last minute. if anything happens, you will be there at the lead of the disaster story. so the rule was, never make it easy for reporters to come up with a mindlessly that contains what appears to be some poignant fact that some things up. -- sums things up. when i invited our speaker, i ignored that rule. it is rather strange, jason blair speaking on ethics? why not bernie madoff speaking to financial planners? i wrote back that because i was intrigued b

john, and son, christian. marcus golczynski. special thank you to new york friend of the show, clara, for this book, "the complete works of william shakespeare," clara, the first female police officer in wayne county, new york. she never misses the show. everyone, i'll see you tomorrow night, 8:00 sharp eastern. and until then, good night, friend. -- captions by vitac -- www.vitac.com >>> hi, there. i'm brooke anderson. this is the "showbiz tonight" newsbreak. here's what's coming up on "showbiz tonight" at the top of the hour. carrie prejean admits today that, yep, she made a solo sex tape. tonight, her explosive response to people calling her a hypocrite. >>> and j lo's own sex tape shocker. that's your "showbiz tonight" newsbreak. tv's most provocative entertainment news show starts at the top of the hour.

john marshall. you have a chance to let people know their story, and that carries over to the west conference room where you have the two instrumental justices in this building. williamard taft on one wall. >> i like to go sometimes on a quiet night to the conference rooms because the portraits on the walls are all of my predecessors as chief justice. to some extent, you look up to them whereby with the degree of appreciation for what they have gone through. they are probably looking down on me with bemusement or amazement each of them has a special took story to tell. you look up at john marshall and appreciate the importance as a court, moving it from a situation where each of justice wrote an opinion. right next to the most unfortunate predecessor, the author of the dread scott decision, he saw a problem that he was going to solve. tremendously misguided and injure the court for generations to come. that is how you look at your own job. the job does not give you a prominent role or historical significance just because you hold the job. you recall the vital role in turning back the court and think about the importance of the independence of the judiciary, things li

john marshall. you have a chance to let people know their story, and that carries over to the west conference room where you have the two instrumental justices in this building. williamard taft on one wall. >> i like to go sometimes on a quiet night to the conference rooms because the portraits on the walls are all of my predecessors as chief justice. to some extent, you look up to them whereby with the degree of appreciation for what they have gone through. they are probably looking down on me with bemusement or amazement each of them has a special took story to tell. you look up at john marshall and appreciate the importance as a court, moving it from a situation where each of justice wrote an opinion. right next to the most unfortunate predecessor, the author of the dread scott decision, he saw a problem that he was going to solve. tremendously misguided and injure the court for generations to come. that is how you look at your own job. the job does not give you a prominent role or historical significance just because you hold the job. you recall the vital role in turning back the court and think about the importance of the independence of the judiciary, things li