jonathan demme, who after things like married to the mob makes philadelphia which initially is deemed very risky project and then ends up doing quite well and allowing perhaps, again for hollywood to say "you see, there aren't stories that we cannot touch." is this illusory, or is this, in fact part of the greatness of the hollywood scene-- that it keeps expanding its boundaries? i think the word is "healthy." it's a healthy, living organism that eats and devours and mutates and that's good. there's part of all of us at this table that think that the old hollywood dinosaur is a grand old dinosaur and it should be preserved in its own jurassic park and that... there is also part of us who say, "kill the thing off and promote a personal cinema." i don't want to see that dinosaur destroyed. i love that old dinosaur. we only have a few minutes left. are there any concluding perceptions that you would like to offer about the hollywood style especially in relationship to contemporary american cinema and its future? stillman: there are certain things about the hollywood style in its classic

jonathan demme, who after things like married to the mob makes philadelphia which initially is deemed very risky project and then ends up doing quite well and allowing perhaps, again for hollywood to say "you see, there aren't stories that we cannot touch." is this illusory, or is this, in fact part of the greatness of the hollywood scene-- that it keeps expanding its boundaries? i think the word is "healthy." it's a healthy, living organism that eats and devours and mutates and that's good. there's part of all of us at this table that think that the old hollywood dinosaur is a grand old dinosaur and it should be preserved in its own jurassic park and that... there is also part of us who say, "kill the thing off and promote a personal cinema." i don't want to see that dinosaur destroyed. i love that old dinosaur. we only have a few minutes left. are there any concluding perceptions that you would like to offer about the hollywood style especially in relationship to contemporary american cinema and its future? stillman: there are certain things about the hollywood style in its classic

jonathan demme has made a film of an ibsen play so we're finishing that film. >> rose: the master builder? >> the film is going to be called "feel of fall." so i don't have a second >> no down time, like you. >> rose: great to have both of you here. thank you so much for coming. the title of the film is called "andre gregory: before and after dinner." thank you again. >> thank you! >> thank you. >> rose: and thank you for joining us. we'll see you next time. captioning sponsored by rose communications captioned by media access group at wgbh access.wgbh.org

jonathan demme has made a film of an ibsen play so we're finishing that film. >> rose: the master builder? >> the film is going to be called "feel of fall." so i don't have a second >> no down time, like you. >> rose: great to have both of you here. thank you so much for coming. the title of the film is called "andre gregory: before and after dinner." thank you again. >> thank you! >> thank you. >> rose: and thank you for joining us. we'll see you next time. captioning sponsored by rose communications captioned by media access group at wgbh access.wgbh.org >>> this is "nightly business report" with tyler mathisen and susie iler. >> street.com, for an ever-changing financial world. our dividend stock adviser guides and helps generate income during a period of low interest rates. real money helps you think through ideas for investing and trading stocks. action alerts plus is a charitable trust portfolio that provides trade by trade strategies. online, mobile, social media. we are thestreet.com. >>> shorter lines. unemployment claims dropped to the lowest level in more than five years. and t

jonathan demme has made a film of an ibsen play so we're finishing that film. >> rose: the master builder? >> the film is going to be called "feel of fall." so i don't have a second >> no down time, like you. >> rose: great to have both of you here. thank you so much for coming. the title of the film is called "andre gregory: before and after dinner." thank you again. >> thank you! >> thank you. >> rose: and thank you for joining us. we'll see you next time. captioning sponsored by rose communications captioned by media access group at wgbh access.wgbh.org >> the following kqed production was produced in high definition. [ ♪music ] >> yes, check, please! people. >> no! >> it's all about licking your plate. >> the food is just fabulous. >> i should be in psychoanalysis for the amount of money i spend in restaurants. >> i had a horrible experience. >> i don't even think we were at the same restaurant. >> and everybody, i'm sure, saved room for those desserts.