this is the point that jonathan glazer drives home right from when he first unveiled his movie.s, is try and find a way of showing this in a way that people perhaps haven't seen it before, the perspective of it. we all know it's very important to keep talking about this and to keep showing it, and to talk about it and try and find a new paradigm for it, so that a new generation can discover this for themselves through film. i have to say, it's rather unnerving to be inside this former concentration camp here at auschwitz. and the building right behind me was the real home of the former commandant of auschwitz. one of the things that's incredibly powerful with jonathan glazer�*s film, the zone of interest, is how he uses sound to convey the horror of the concentration camp. you hear the noises of hoss's children playing joyfully in the garden, just back here, combined with the suffering coming out of these buildings. people in pain, gunfire. the juxtaposition of these sounds is truly horrifying and very powerful cinema. it conveys all the horrors from behind the wall. we don't sh

but also, _ mentioned, jonathan glazer but also, you — mentioned, jonathan glazer but also, youner— johnnie burn, a british sound designer working from his home in brighton who created this haunting soundtrack, you hear, jonathan — haunting soundtrack, you hear, jonathan glazer said it two movies. _ jonathan glazer said it two movies, one you watch and want to listen— movies, one you watch and want to listen t0~ _ movies, one you watch and want to listen to. in many ways, want — to listen to. in many ways, want to— to listen to. in many ways, want to listen to is more disturbing because you hear the cries_ disturbing because you hear the cries of— disturbing because you hear the cries of people who you don't see the — cries of people who you don't see the victims in the concentration camp but you the suffering — concentration camp but you the sufferinu. �* , concentration camp but you the sufferinu. v , concentration camp but you the sufferinu. �* , , ., suffering. let's bring in paul. a box office _ suffering. let's bring in paul. a box office analyst, - suffering. let's bring

. >> jonathan glazer's very clever. the collective knowledge that we all have of that period of time in history to paint pictures in your head. malcolm: and while the torment and genocide of auschwitz is ever present, the audience never casts eyes on it. >> i think sound is an extraordinary phenomenon. for me, i believe that we react to it, immediately you hear something, your subconscious and your primal brain starts appending history and artifacts and nouns to that in a way that with visual images you process it with sound. you react to it. [shouting] malcolm: this garden was a haven for the man in the white suit. rudolf hoss on the right, was the commandant of auschwitz. hoss was captured after the war and executed in auschwitz in 1947, not far from this backyard. >> [speaking german] >> they would walk people into the gas chamber, and they believed they were going for a shower, but obviously they were not. and that would create quite a noise. malcolm: johnnie burn worked his alchemy at home, to the alarm of his fami

but the brief mentions of international tragedies were powerful, and jonathan glazer used his zone of interest international feature. when to echo the films method you to account to humanize ation to a problem says, what are the victims of october, the 7th and israel? well, the ongoing attack on gaza, all the victims of this tissue and as i should, how do we resist on a night, were nearly every award was an apparent foregoing conclusion. best actress was the biggest surprise going to em, us doing for her performance. interesting. lily gladstone from killers of the flower moon, had been tempted to wait. 1300 on the producers kept the audience on their toes with a few unpredictable moments such as going on, john. so you know, streaking across the stage to 9 best costume design and the short warming cuts away the dog from a not to me of a fall classics. and when it came to best song, really i least may have won the award. but ryan gosling stove and night to with his performance of i'm just can from barbie. an oscar where the performance in itself the britons, princess of wales, was apolo

yes, it came out of jonathan glazer talking about the holocaust, but in a way that was different from martin amis, and with a fictional plot , but partly told from their point of view and from a domestic work perspective, almost like the executive, and it was that perspective, the perpetrators point of view rather than the victims or saviors of the victims that is perhaps for me, was the spark. and it seems like that point of view might ask interesting and challenging questions reflecting us, the audience, and john and myself on that journey, and perhaps confronting us in the present. it was different in the way the holocaust is normally narrated, so when we search the background of this novel, it was apparent very quickly that it was based on auschwitz and how he lived his life with his family next to the camp, with their garden walls exactly up to the camp. and we saw photographs of that, and essentially what is in the film which was shot right next to the camp, is every creation of what was in those photographs with the kids playing in the garden, the toys and on a summer day, with

british film—maker jonathan glazer has won a slew of awards for the zone of interest since he unveiledcannes film festival. now, it's a big contender in the oscars race with five nominations. so this is auschwitz. it's. ..unsettling. i've come to auschwitz to join the film—making team for a unique event, a screening of the film at the former concentration camp marking its official polish premiere. it's glazer's first film in ten years. a labour of love. he wanted authenticity. he wanted to shoot it here. i felt that the film had to be about this place and the importance of this place and the, you know, i felt that very, very strongly to begin with. but what really sets the director's film apart from standard holocaust movies is its point of view. the focus is not on those who suffered at auschwitz, but on the perpetrators. chief among them, rudolf hertz, the nazi commandant of the camp who lived with his family, a seemingly blissful life in a house adjacent to a concentration camp where more than a million people were being murdered. among the films�* five 0scar nominations is won for

earlier, jonathan glazer decried inhumane actions in the israel-hamas war.s attendees were wearing red pins and supporting a group called ceasefire in the middle east. >> you would trade something as well-deserved as an oscar for peace in the world. >> it says a lot. >>> godzilla is ringing in his 70th with his first taste of oscar gold. the 37th film in the legendary franchise, "godzilla minus one," became the first entry in the series to be nominated for and win an academy award, taking home best visual effects. director takashi jam yamaha yamazaki took full advantage of their hollywood ending, accepting their awards of holding figurines of japan's favorite lizard and revealed custom kicks on the carpet. models godzilla's claws. >> so fun to have oscar wins and a little fun while doing it. rp> when we come back, the fda's surising decision on a new alzheimer's disease drug. and the face of nintendo is heading back to the big screen. a once-daily td treatment for adults. ♪ as you go with austedo ♪ austedo xr significantly reduced kate's td movements. some p

it's director jonathan glazer used his moment to highlight the horrors of the present. right now we started here was man who refute the jewishness and the holocaust being hijacked for an occupation which has led to conflict for so many innocent people. what are the victims of upside of the what are the victims of october? the 7th in israel will the ongoing attack and gaza all the victims of this tissue. and as i should, war took home the award for non fixed someone wants to 20 days in mary o books. a tense film about journalists covering the early days of russia's war on ukraine behind the front lines. one best document is small officials live, and it was war. and the question of how to remember its worst extremes. that was the subject of the film, but gathered the most awards and total best picture director, actor and 4 other trophies, went to oppenheim. we made a film about the demonic, created the atomic bomb. and for better for worse, we're all living in oppenheimer's world. so i would really like to dedicate this to the peace makers everywhere with so many play con

jonathan glazer used his zone of interest to international feature when to echo the films method you to account to humanize ation. problems like says, what are the victims of october the 7th in israel? well, the ongoing attack on gaza, all the victims of this tissue and as i should, how do we resist? on a night, were nearly every award was an apparent foregoing conclusion. best actress was the biggest surprise going to m a student for her performance. interesting. lily gladstone from killers of the flower moon, had been to do with 1300 on the producers, kept the audience on their toes with a few unpredictable moments such as going on, john. so you know, streaking across the stage to 9 best costume design and the short warming cuts a wage, the dog from a not to me of a fall classics. and when it came to best song, really i least may have won the award. but ryan gosling stove a night to with his performance of i'm just can from barbie. an oscar where the performance in itself the and then type of journalist k j matthews joins us from los angeles. welcome back to dw k j. let's pick up f

one for best international feature film gets director jonathan glazer used his moment to highlight the horrors of the present. right now we started here was man who refute the jewish and us in a holocaust, being hijacked for an occupation which has led to conflict for so many innocent people. what are the victims of upside of the what are the victims of october, the 7th in israel will the ongoing attack and gaza all the victims of this to schuman, i zation war took home the award for non fixed. so one milestone. 20 days in mary opal's. a tense film about journalists covering the early days of russia's more on ukraine, behind the front lines. one best documentary about visuals. and it was war. and the question of how to remember its worst extremes. that was the subject of the film, but gathered the most awards and total best picture director, actor. and for the trophies, went to oppenheimer, we made a film about the demonic, created the atomic bomb. and for better for worse, we're all living in oppenheimer's world. so i would really like to dedicate this to the peace makers everywhere w

there would also absolutely spoil the whole impression, and the area of ​​interest, after all, jonathan glazer'stoo, in which we can see a lot in common. with us, and it was filmed in auschwitz for two years, based on real events, a family, a nazi, and the warden of the commandant of auschwitz, rodolf göss, he moved his family there, who began to live in a house like this, just outside the walls of the concentration camp, and how his wife liked to live there, how she made a garden for herself, and how she and other women examined and measured the fur coats of jewish women for... the example in which these things were taken, that is, very great parallels between the things that the russians stole from us . i highly advise you to watch this film as well, it is still in the box office and i think it will win the oscar for best sound, because, just for the sound, you have to go to the cinema and watch it, if you go, be sure to stay for the credits, and i liked this film because it is completely non- speculative, that is, it does not show all these horrifying moments during the holocaust at all. then

it's director jonathan glazer used his moment to highlight the horrors of the present. right now we started here was man who refute the jewishness and the holocaust being hijacked for an occupation which has led to conflict for so many innocent people. what are the victims of upside of the what are the victims of october? the 7th in israel will the ongoing attack and gaza, all the victims of this to schuman. i zation war took home the award for non fixed, someone wants to 20 days in mary o books. a tense film about journalists covering the early days of russia's war on ukraine behind the front lines. one best document about visuals. and it was war. and the question of how to remember its worst extremes. that was the subject of the film, but gathered the most awards and total best picture director, actor and 4 other trophies, went to oppenheimer. we made a film about the demonic, created the atomic bomb. and for better for worse, we're all living in oppenheimer's world. so i would really like to dedicate this to the peace makers everywhere with so many play conflicts ran

amy: during the oscars ceremony, filmmaker jonathan glazer condemned the israeli occupation after hisolocaust film "the zone of interest" won an oscar for best international film. >> our film shows where dehumanization leads, at its worst. it shaped all of our past and present. right now we stand here as men who refute their jewishness and the holocaust being hijacked by an occupation which has led to conflict for so many innocent people -- [applause] whether the victims of october the 7th in israel or the ongoing attack on gaza. all the victims of this dehumanization. how do we resist? amy: the oscar for best documentary went to "20 days in mariupol" about russia's siege on the ukrainian city. the film was directed by mstyslav chernov, a ukrainian video journalist for the associated press. >> this is the first oscar in ukrainian history. [applause] i am honored. i am honored. probably will be the first director on the stage will say i wish i would never have made this film. i wish to be able to exchange this to russia never attacking ukraine, never occupying our cities. amy: go to de

jonathan glazer called israel's ongoing military operation an occupation. >> we stand -- an occupationnflict for so many innocent people. >> as for the show itself "oppenheimer" took home seven oscars including best picture, best director and a lead actor cillian murphy. poor things had lead actress emma stone. best screenplay. best supporting actress went to da'vine. "barbie" had eight nominations, best original song. the night would not have been complete host jimmie kimmel replied to a social media post from former president donald trump saying thank you for watching, isn't it past your jail time? kimmel criticized arkansas senator katie britt who delivered the gop response to president biden's state of the union saying she had the brain of a child. >> dana: alabama senator. a lot of attention on that as well. william. thank you for watching that to get up to speed this morning. >> sandra: a new twist in the trump/georgia election case. fani willis and the judge mack phene are drawing challengers in their bids for reelection. they both face the possibility of being pulled from the c

jonathan glazer, oscar winning director went out of his way to talk about your government.>> right now we stand here as men that refute their jewishness and the holocaust. there's a conflict for so many innocent people. were the victims of -- [applause] >> whether the victims of october 7th in israel were the ongoing attack on gaza. >> neil: you a big applause for that. >> shame on them. what a coward and how easy it is to sit somewhere and allay and tell israel that we're on the bag. what occupation is he talking about? who is occupying gaza? gaza was occupied by the palestinians. they govern gaza. they've been governing gaza for 17 years since we came out of there. what is he talking about in. >> neil: i think he's talking about is your response is disproportionate. you've heard that again. that's how it all started? >> it wasn't disproportionate. >> neil: how do you answer that? take world war ii. japan bombed pearl harbor. 2,000 people died. and then america killed three million japanese including one million civilians, because they were eradicated and evil regime. ther

it's nominated for best picture, also, best director with jonathan glazer that has gotten a lot of buzz in the final stage of voting. so don't be surprised if you hear that dome also when some unexpected awards tonight >> and then lastly, elizabeth give us kind of a vibe check of the red carpet there because we hear all the people behind you and we're watching some of the stars here are that are arriving. who are you? to >> and who's getting a lot of buzz >> you know, it is really very crowded here as you can see, there's people everywhere. vanessa hudgens actually stepped out a few minutes ago and she debuted her baby bug, her big pregnancy reveal. as i said, wolfgang pac who previewed the menu to us not to tell you the big stars. they usually wait until the last 30 minutes, maybe 40 minutes to arrive. so we're keeping an eye for all the als stars, but all the producers, directors bring rioters. they're here right now. it is very crowded, so it is going to be a great jam packed night >> all right. elizabeth wagmeister for us on the rest hey, carpet at the oscars. thanks so much. good t

one for best international feature film, its director jonathan glazer used his moment to highlight the horrors of the present. right now we started here was man who refused the jewishness. and the whole, of course, being hijacked for an occupation which has led to conflict for so many innocent people. what are the victims of upside of the what are the victims of october, the 7th in israel will the ongoing attack and gaza all the victims of this tissue and as i should war took home the award for non fixed someone wants to 20 days in mary o books. a tense film about journalists covering the early days of russia's war on ukraine behind the front lines. one best document, the smell officials live, and it was war. and the question of how to remember its worst extremes. that was the subject of the film, but gathered the most awards and total best picture director, actor and 4 other trophies, went to oppenheim. we made a film about the demonic, created the atomic bomb. and for better for worse, we're all living in oppenheimer's world. so i would really like to dedicate this to the peace maker

jonathan glazer, the film maker, who jewish director who won an oscar last night for his holocaust film, the zone of interest, used his acceptance speech, as i know, you maybe aware to condemn israel's actions at this point in the war. here's what he said >> film shows where dehumanization leads at its worst it's shaped all of our past and present right now we stand here as men who refute their jewishness and the holocaust being hijacked by an occupation which has led to conflict for so many innocent people whether the victims of october whether the victims of october the seventh in israel will the ongoing attack on gaza, all are victims of this to humanization how do we resist >> we stand here as men who refute their jewishness on the holocaust being hijacked by an occupation and then the applause, your response to that? >> it's shameful he thinks is distancing himself from israel and somehow he'll be loved. jews have tried the approach of being murdered again and again, and hoping for sympathy. that's not something that i believe in. i think that we need to be strong. we need to be pr

it is the 1st time you k film has one in this category, and it was also interesting to see a jonathan, a glazer is comments because of this feeling. he said, although it is about the whole costs, it is very much a reflection of the world we live in now. and he encourages people looking at this movie to think not about the past, but about what's happening now. but what he said in his a word, comments about the dehumanization that's happening right at this moment. um, do you particularly signal that the war and gaza and the human eyes ation that he sees in the treatment of both israelis and palestinians, victims of complex. so very much, very political movie about a load is about the one of the most horrible things of the past is very much of what's happening at this moment. did you feel next? good scott or box for that? thank you very much. scott albertsons, princess of wales as apologize to us and several major news agencies with drew a photo of us saying it appear to have been manipulated. princess catherine said she tried to edit this image and was sorry for any confusion. the royal family pu

k film has one in this category, and it was also interesting to see a jonathan, a glazer is comments of because of this feeling. he said, although it is about the whole cost, it is very much a reflection of the world we live in now. and he encourages people looking at this movie to think not about the past, but about what's happening now. but what he said, it is a word comments about the dehumanization that's happening right at this moment. um, do you particularly signal that god and the human eyes ation that he sees in the treatment of both is railings and posting and victims of that complex. so very much, very political movie about a load is about the one of the most horrible things of the past is very much of what's happening at this moment. did you feel next? good scott roxborough that. thank you very much, scott. as a reminder of our top story, sweden has officially joined nato with aflac raising ceremony at the alliance's headquarters in brussels, sweets, membership, and decades of neutrality since becomes the 32nd member of the book. and that's it from me of the news team for

we had jonathan glazer addressing the israel/hamas war head on and talking about gaza and the inhumanee said he would trade his oscar in exchange for peace. then you had people wearing red lapel pins calling for a ceasefire. the show was delayed because of protests on the streets right outside of the dolby protesting the war. it didn't take over the entire night. then you had kimmel come out and call out trump. the audience thought it was funny. >> four of the winners from last night were recent guests on our show. >> for oppenheimer i chose to shoot large format film, imax film. we want to put that story up on the biggest screen possible, bring people together and have them go through this man's extraordinary experiences. >> to the academy, just to say movies are just a little bit over 100 years old. imagine being there 100 years into painting or theater. we don't know where this incredible journey is going from here, but to know that you think i'm a meaningful part of it means the world to me. thank you very much. >> i think resentment underneath it perhaps, the fact that more people