one of the things that's incredibly powerful with jonathan glazer�*s film, the zone of interest, is how the horror of the concentration camp. you hear the noises of hoss's children playing joyfully in the garden just back here, combined with the suffering coming out of these buildings. people in pain. gunfire. the juxtaposition of these sounds is truly horrifying and very powerful cinema. it conveys all the horrors from behind the wall. we don't show it. the sound, which is absolutely a masterpiece, you know, the way it's done, you know, that brings the horrors. and it also helps to build the film together. more than anything else, the zone of interest is a triumph of cinema. there's an unblinking coldness to its observations that makes you acknowledge, rather frighteningly, that the perpetrators of the violence here in auschwitz weren't, in certain key respects, that different from you or me. that is the power of the film. to try and show these people as people and not as monsters was a very important thing to do because human beings did this to other human beings, and we obviously...