oh so these kind of joni was worth it i'm now seated on the brink of the crater and i'm looking at all this and thinking that i'm the only person in the well it could be so very moment is lucky enough to play the flute at the height of three thousand meters. everyone has that as to why evoke a nose attract people. try to overcome their fear and prove that they can withstand this challenge many enjoy an extreme trip. simply curious and a brave enough to look inside one of nature's biggest and most destructive. downloads the official auntie application. called touch from the still. life on the go. video on demand. comes and says feeds now in the palm of your. question on the dot com.

in these hard joni was worth it i'm now sitting on the brink of the crater and i'm looking at all this and thinking that i'm the only person in the world could be so very moment is lucky enough to play the flute at the height of three thousand meters. everyone has their own arms as to why volcanoes attract people some try to overcome their fear and prove that they can withstand this challenge many enjoy an extreme trip. simply curious and a brave enough to look inside one of nature's biggest and most destructive. hungry for the full story we've got it first hand the biggest issues get the human voice face to face with the news makers.

joni mitchell right there. let's put you in front of the camera.> this is from where i stand. it's a more intimate and personal if i can edit my career. it's interesting. some of them are more produce and set up and lit, but i still try to make it more natural. >> the shot we saw of helen there, that was the first commission photo. that was a very, very big deal. are these stars tougher subjects to shoot? we know they do like to look perfect. >> helen was a joy. she was my first commission. i was a bit daunted and what am i giving. i love the photograph. it's grity and real and i love the expressions in her face. >> how do you relax the people you are photograph something we get rigid when we know we are about to have our picture taken. you don't want that. how do you get the subject to warm up? >> i think that's why i love what i do. that is the challenge to get an intimate portrait that shows the character and doesn't make them look scared. i try to spend time relaxing them beforehand and letting them know i'm not going to let them do something t