i mean, i think the the the main sort of driver for that narrative was judith butler and it's sort oflike it's an external take on what's going on. it's almost an ethnic ethnographic sort of take on it right? there's so many different categories, pardon the pun, to because you got to kind of approach it from all angles, right? like so i've at talks for the book and people have said, well like isn't it kind of capitalist like for folks to wear like to name their their house balenciaga and then like, you know, buy or steal that stuff and walk down the runway, you know, in a lot of other capacities, whether or not someone holds that philosophy that could be seen as punk rock, right mm hmm. on the one hand. but also, like, okay, so the if ballroom an answer to marginalization based on white patriarchal capitalist, whatever. right. so does that mean in your criticism of it? folks have to still be poor to make you feel good about it being art like you know and you know someone, twiggy said to me twiggy poochie garson, who is a friend of mine in the book and like a family, a gay family siste