when i had some drawings ready, i invited judith solodkin to come to my studio on tamarind avenue in llywood. this is the same studio where i started the tamarind lithography workshop in 1960. solodkin: and it was about time, too, i'd say. in 1974, i finished the program. wayne: many master printers were trained here, and artists came from all over the world to do lithography here. and then the next one, the same thing will happen. oh, i see. i decided to work with judith because she was the first woman to graduate as a tamarind master printer. it's really no great problem to hold the solid darks... solodkin: i must go to the artist's studio. i like to look at their ideas, talk to them. and it's like speaking a foreign language. you have to learn the language, and then also learn how to express yourself in that language. this is the kind of territory that i want to move into for the print. they're very graphic. they're almost celestial. what do you mean "almost"? wayne: i prepared some sketches for judith to take back to new york to experiment with. she needs to understand my art in g