a dancer taking over julliard.you've just explained to me seems to be part of a great vision for julliard, which is connecting it. >> after my quote, unquote, retirement, when i stopped dancing in 2008, i was so lucky. i was directing performances. i was doing art strikes. i was working on arts education. i ended up working for you on the arts policy program. looking at ways that we can really push the arts in society. a lot of the same people kind of start to filter into this conversation on all the sides, whether they were doing the performance that, you know, was at lincoln center, or we're talking at an arts education n conferen conference. you know, it is yoyo, little bach, and others emerge. i was very intentional about keeping the opportunity to do all these different things. then this idea came to me about julliard. it just was like lightning. i thought, well, that's where it all can happen. it can all happen. it is the cradle, if you will. it is not only the artists, the individuals that we can nurture and