what i didn't know is that one of the students in the class, kabi, r, in arabic, it means big and that's his nickname. knew who i was listening because of -- he had heard me on a station out of new york and he had gone around and recruited the most talented writers in the prison. so when i got those first scenes back. i had 20 students and i brought them back to princeton with that kind of musty smell all handwritten online paper that -- on # line paper that the note, the prison, i ran into several scenes that were just remarkable and lyrical, powerful, and this happened the next week and the week after that. and i said to my wife, on you eunice, who is a professional actor, graduate of juilliard. i showed her this and went back the class and proposed that we take these scenes and i would kind of serve as she editor and i would meddlesome scenes and everything would have to be cleared with the class but it was not premeditated. it was completely organic. in prison, you have to build these emotionally protective walls. but when people began to write about their trauma, their suffering, th