according to donetsk residents, iosif kabzon loved donbass very much since 2014, from the very firstdays conflict, helped people whose cities and towns were under fire from the ukrainian armed forces. the artist came regularly, bringing humanitarian aid, including vital medicines. he himself visited hospitals where wounded soldiers were lying, sang songs familiar to them from childhood, and also helped his colleagues. cultural workers. kursk volunteers brought 12 people from the village of spalnoye to the border area. they spent several weeks under occupation after the invasion of the ssu. the volunteers were helped by a native of the village, who came from moscow to save his parents. these and other stories rescue from evgeniya petrukhina. he was looking for his parents, the mother and father of a disabled person in the kursk border area, in a village occupied by ukrainian militants. he was looking together with the kursk people. it turned out that the ukrainian fascists had already occupied their house and the house of their neighbors, dmitry's parents had been hiding in the baseme

from the baltics, well in general, there were such groups that later received a ticket to life, and kabzonwas on the jury, that’s when he met the cherovnitsy. this was already the beginning of the all-union competition, in which belarusian artists have become leaders, artists since 1966, when viktar vuyachych won, anel baguslauskaya became laureate m, then songs in the 70th, then laureates in the 74th, and all in the 79th laureates of the all-union competition became enchantresses. from getaga momenta and іkh pirhodzіtsa usesayuznaya vyadomastsya, gety the audience loved and waited for paul, but it must be said that from the side of professional musicians, and most importantly, of course, in the first charge of men, in the dacha and the sorceress there were some such singers who did not believe, but i would say skepticism, the blue bird came here to us in minsk, the sports palace, i think it was, we worked. it was called the warm-up act, the first act, the second act , the famous autumn bird with its famous hits, they, of course, immediately looked down on us, very, we worked the first act

since you can’t, every time i tell you 300, and this is how it is, you are tortured, you know this, kabzonch a creep, now i have a bagashchaetsa, how are we, a station at the sea, a floating base, well here equal to . and the personal life of eduard mitsul. then i was already well over 70. today we look at this archival footage for assembling nostalgia, you are more than just a singer, campasitar-legend, igar luchanok. eduard mitsul would be the first to sing many songs. this revue was called pachama revue lvonikha. this team was formed, he paid a lot of attention, the ministry of culture, the philharmonic, so the best artists in different genres were in this group, here we were, and there i met eduard mitsel, in lvovich's group we had the chance to start, the volodya mulyavin ensemble, together with eduard, another stroke of luck, such a noticeable milestone in the life of a musician, that suddenly there is a musician next to you, whom you knew from childhood, who was famous throughout the soviet union, this... so to speak, not every singer can boast of such a musical biography. we have a

among them are joseph kabzon, valentina tolkunova and... it is possible to imagine her story, how theecame the home for the famous radio duo gennady buchinsky and sergei stelavin, and how the lighthouse program not only help to live, but save from death. this is the life and fate of sergei stelavin, dear borya, please, it’s me. ok, thank you, i’ve watched this show many times, well, although it’s a program, not a show, and i feel at home here, how many years have i been living here in this studio of the show, somehow no one has ever called it before, but today let’s do a show, let the girls have fun, i’ve known you for exactly that many years, i just caught myself thinking how long you’ve been at the lighthouse, and of course, this is an acquisition for the lighthouse and for you. me too, we all grew up, there is not a person in the country who would not i grew up under these call signs, put it, but for me it will last my whole life, this is the feeling. station in its time, that is, the first station that played music in the country, because before that it was believed that radio was

and peculiarities of existence in this world industry, elvis presley, frank senatra, delida, iosif kabzon, lucha na povorote, michael jackson, josh michael, valery leontiev, whitney houston, cher, alla pugacheva, tina turner, elton john and many others did such things that compared to them, kirkorov is almost a dandelion, judging by the new hair color, that's why i want to remind you of the million'. no one in the entire post-soviet space has it, and with all due respect to kirkorov's colleagues, it's a fact. and here's the proof: when you enter philip kirkorov's house, right behind the threshold is the slava artista museum. here is the first golden arfey, a couple dozen golden gramophones. there are also crystal microphones, and precious plates with apples, and diplomas for the song of the year, and orders, and medals, certificates of honor, and endless gratitude. kirkorov even keeps those with mistakes. everything is dear to him. these treasures are dear to philip - unique hand-made icon in luxurious frames, especially this one from master vladimir from simferopol. after a stroke, his h

were impressed when you entered the state ensemble pesnyary, the first concert in the kremlin, and kabzon street, this was all new, of course, but today you are already accustomed to artists, for me it’s not so much a celebrity, for me the energy is important, that ’s when you look at a person and he represents something, when... i go into the studio and i immediately feel, for example, with fika tsyganova it was very easy, she in general, yes in general it was quite easy with all the guests, i had in my head that they were there, and i was the first time, and i was scared, but it was quite easy with these artists with arukhanov we talked for almost half the program about guitars, about songs, by the way, my mother had a record player when i was a child. karukhanov and antonov, and i, these are my 3-4 years old, this is, this is what i listened to, so i say, boat, float, there, all these songs, i wish you, this is, and he says, look how cool, i say, i'm on grew up on your famous phrase, yes, denis, you also already felt like a tv star, the x-factor, of course, the x-factor played its role

to be happy for him or worry, okay, i'll call him, and also, aleoznova gave the answer that joseph kabzonhello to joseph, i'm happy for him, and are you working on my kremlin concert? yes, of course, the symphony orchestra. we talked about rehearsals, about the dates of the performance, i haven't been to the state concert yet, don't drag it out, please, yes, of course, it's just that i have my own things to do in addition to yours, yes, i understand, thank you, keep me informed, don't go far, well, hello, hello, viktorovna, hello, serafim mikhailovich, how is your magamaev, how did it go, serafim mikhailovich went, but what kind of concert is this, it really is some kind of bacchanalia, you can't say it any other way, in what sense is it bacchanalia, i was simply stunned, half the hall started dancing, yeah, then you have... the girls who came to their senses climbed onto the stage, they made such a crush, they almost killed each other from these autographs, and today even more of his fans came from other cities, they are storming the box office, law enforcement agencies are unhappy, well

public, honored by society, who had very, very many of these kinds of acquaintances, iosif davidovich kabzonfor that... an example of whom i, so to speak, greatly respected, respected, and appreciate him, and the scale his personality, although it is natural that i have never listened to this music, but to ignore the scale of this personality, him as a cultural figure, it is absolutely impossible, that is why i simply had squabbles on the air with a very famous musician, i was completely outraged by the insinuations when he spoke about those people who with... cannot object to him, because they are no longer alive, from which i could only conclude that he himself, so to speak, had the opportunity to perform in front of bandits, and he was not ready to admit that someone could refuse, and there were people who refused, there were people who were threatened to have their fingers broken, for a musician it is an instrument, so that it is clear that this is not the same as breaking a journalist's fingers or legs, by the way, about broken fingers and legs of journalists, yes, yuri azenshpits beat