another similari whicheveridge accents musically: theord "holy," repeated here three tes in hebrew-- kadoshen three times in tin-sanctus. ♪ t make no mistake: while muc of this compition is solemn, parts aralso light-hearted, or what bevedge calls "lickety- split." ♪ wanted," says beveridge, "t gi the impression of a train that gets going and keeps ing, goinalong." >> it's not all vy ponderous stuff. there's a lot of y in it. the j of recognizing that a departed soul m be resting in en, in the garden of eden. >> reporter: perhapthe most dramatic moment of alin the zkor requiem comes at the en when a single flute pla a plaintive theme. ♪ finally, with the soft refin of "amen" the chorus, the flute sloy fades away. ♪ >> the flute player tur around and walks out of the buildi nd disappears, and the last rase is played over and or and or again until the player can hardly beeard any more. i wanted to depi the departing soul somehow, and the flute playg the melody of the ninth movement, the wor of which are "the souls of t righteous are in the hands of god." >> reporter: what beveridge s do, says