their song going to survive this night kaja i don't think. we are scared we are very scared me and distant and to me nothing to hide from this might even still. bangladesh what is the true face of the country look like. modern freedom independence the separation of state and church that used to be important but for decades political infighting here as hundred progress and islamist extremists are gaining more influence gone you know we call for the removal of lofty laws laws of democracy and the rule of law are on shaky ground. you've just got to get into we. love this should be. a pretty. and i feel. bangladesh the dawn of islamism and exclusive reporting starts october eighteenth. hello and a warm welcome to focus on europe i'm so he's almost gone donating organs can save lives so why does it happen so rarely in europe germany is facing an acute shortage more than ten thousand.

which is made by a norwegian called erik poppe, is just on the island, just on the face of one girl, kajamember of the young labour party. she wants to help everybody, and we are with her as this massacre unfolds. now, in this version, we don't see breivik at all, we just hear the boom of his gunfire and see the people running from him. it's a real kind of distillation of what it must‘ve been like to be on that island, not knowing what was going on, the confusion. it's almost done in one single, breathless take. i have to say, i was sitting near the front of the cinema, right at the front, and after about five minutes, i had to move to be back of the theatre to get some distance and perspective. it was too overwhelming. i was too — motion sickness, i was too shaken by it. i had to say that even with that distance, it was still very harrowing experience. but it did make me understand what it must‘ve been like to be caught in that situation. i don't understand the mind of the man who perpetrated it at all, and that sort of leaves me wanting a bit more from it. but it is, as a piece of film

which is made by a norwegian called erik poppe, is just on the island, just on the face of one girl, kajao help everybody. and we are with her as this massacre unfolds. now, in this version, we don't see breivik at all, we just hear the boom of his gunfire and see the people running from him. it's a real kind of distillation of what it must‘ve been like to be on that island, not knowing what was going on, the confusion. it's almost done in one single breathless take. i have to say, i was sitting near the front of the cinema, right at the front, and after about five minutes, i had to move to be back of the theatre to get some distance and perspective. it was too overwhelming. i was to thought about motion sickness, i was too shaken by it. i had to say that even with that distance, it was still very harrowing experience. but it did make me understand what it must‘ve been like to be caught in that situation. i don't understand the mind of the man who perpetrated it at all. and that sort of leaves me wanting a bit more from it. but it is, as a piece of film making, a rather breathtaking exper

r sawing wood the sun is night kaja identity. we are scared we are very scared that we have to stay here and do not need to fight for this fight against or. bangladesh what is the true face of the country look like. freedom independence the separation of state and church that used to be important but for decades political infighting here has hindered progress and islamised extremists are gaining more and more dog eat dog we call for the name of law feel god's law for. democracy and the rule of law are on shaky ground. they're difficult to get in a worse job of this should be. credibility. than a few. bangladesh the dawn of islamism an exclusive report starts october eighteenth. half. u.s. pastor andrew bronson is on his way back home after a turkish court freedom from house arrest the ruling allowed him to leave turkey immediately and he was flown back to germany on route to the u.s. he was convicted of terror related charges but released because of his time served brunson's detention has strained ties between washington and anch

which is made by a norwegian called erik poppe, is just on the island, just on the face of one girl, kaja we are with her as this massacre unfolds. now, in this version, we don't see breivik at all, we just hear the boom of his gunfire and see the people running from him. it's a real kind of distillation of what it must‘ve been like to be on that island, not knowing what was going on, the confusion. it's almost done in one single, breathless take. i have to say, i was sitting near the front of the cinema, right at the front, and after about five minutes, i had to move to be back of the theatre to get some distance and perspective. it was too overwhelming. i was too — motion sickness, i was too shaken by it. i had to say that even with that distance, it was still very harrowing experience. but it did make me understand what it must‘ve been like to be caught in that situation. i don't understand the mind of the man who perpetrated it at all. and that sort of leaves me wanting a bit more from it. but it is, as a piece of film making, a rather breathtaking experiment if you like. but whether