shukshin shukshin was sure that now, after the success of kalina krasnaya, he would finally realize hisgei bondarchuk, our famous film director, who in general directed , a mass film studio and from which a lot it depended, but he asked shukshin that before you, vasya, launch your new... picture: star in my film, they fought for their homeland. and for shukshin it was generally difficult, difficult, because he played one of the main roles, and the film was shot in very difficult conditions. in the hot summer, but he could not refuse bonddarchuk , in addition, there is a version that after all, shukshin wanted to gain experience as a director, the picture, they fought for their homeland, was the same as the film that shukshin conceived, such a battle painting , therefore, the experience of working in such a film would also be important for him, in any case, he plays in this film, and in the fall of 1970, on october 2 , 1944, he was found dead in the cabin of the ship danube, it was such a floating hotel where the actors lived, namely shukshen actually died there after the end of filming.

, then in the application there was also a comedy first, it was only then that kalina krasnaya becamesn’t understand fools, i ’m making... artos, i’m making elite films, that is here, this is the strategy, and let’s say, i remember, that’s when torkovsky appeared, well, i sort of remember, so to speak, this is the first film stalker that i saw, yes, because i didn’t see everything that came before that, people were leaving the mirror, too, apparently people were leaving, but torkovsky’s is unlikely to be very strong somehow, well maybe he was worried, i don’t know, but at least he didn’t change himself based on this situation or on the audience’s preferences, then here you can see that these two people who were... students in the same group, at roma, yes, in avgika in the fifties, just when there was a thaw, yes, they went on such different paths, well, yes, so people go on different paths, and it’s good that they go on different paths, and this has everything, as if we’ll now move on from soviet cinema to russian cinema, yes, from your point of view, the phenomenon of russian cinema,

, then in the application there was also a comedy first, then only then kalina krasnaya became... differenteral public , it was very important, he did not have such a position that the public doesn’t understand fools, i’m making an arthouse, i ’m making an elite movie, that is, this is the strategy, but let’s say, i remember when torkovsky appeared, well, i can say so, i remember the first film stalker, which i saw, yes, because everything that happened before i didn’t see, people left with the mirror, too, apparently people left, but torkovsky... it ’s unlikely that he worried him much, well, maybe he worried me, i don’t know, but at least he did not change himself based on this conjuncture or from the audience ’s preferences, then here you can see that these two people who were students in the same group, and at roma, and in ovgik in the fifties, it was just the thaw , yes, they took such different paths, well, yes, so people go down different paths, and it’s good that they go down different paths, and this has everything to do with, as it were, let’s move on from soviet cinema to russian