>> there wad by kamand snatra and jee, the pro letariats were risingup agnstaiheir operezzors, e sisters in the dar finay couldn't stand it any morend murderedir mistress and their daughter with claw hammers, claude out their eyes. it was a brutal, brutal murder. these maids are desperate to release themselveses from the stronghold of their madam. >> rose: tell me how you approached that character? >> well, with isabella -- >> rose: she's very young, isn't cindy sheehan plays the mistress. >> she does. it's also eye mean, i-- anyway i was saying-- but it was-- look, iozdon't have any preconceptions going into a rehearsal. >> rose: i want to know. it's my one time to ask you about a process. we just defined the character. there's jasmine, which you said essentially you derived from the text is what you said. is that it? >> i think i'm always work from the text, and andrew upton and benedict andress who directed it -- >> rose: andrew upton did? >> yes. often estates, like the jenae estates can be quite descriptive-- and the version was done in the 50s so it's very much out of that social c