themselves. to the mound, to this place , it probably helped somehow, my father came and pulled karachentsevrom mosovka, then peltser came, in the third year he saw abdulov, yankovsky from saratov, inna mikhailovna chyurikova arrived , the whole point is that the artist is becoming popular in cinema, and he understood that it is necessary for the audience to come, for there to be popular art, and they need to how... to build a theatrical acting career, and he began to make films, here are 12 chairs , where he brought with him elena shanina and alexander abdullov, who played there, some engineer, yes, i don’t remember the name, in the soap, naked, helpless, and then an ordinary miracle, where he became, of course, it was the birth of a beautiful star, with whom all women from in... there, from youth to very old age, he became like a sex symbol, and they say, and of course mark anatolyich, who treated his actors very carefully, he became take them off, take them off, take them off, take them off, because they were needed popularity, people should not just flash by, play some roles for it to be

fit into the summer, and as for some other uh films in which yankovsky abdullov starred, there karachentsevthis, and where, that’s not it there were, and these were... the leading actors on whom the repertoire rested, and then, it’s clear that in order for spectators to come to the theaters, spectators still go to their favorite faces, so he always cast all his actors, so he tried as - so that they become popular , famous, famous, what happened, in my opinion, is all the more interesting when among this series of familiar, beloved faces, again, whom we think of as zakharov’s troupe, even conditionally... in movies and television, suddenly faces appear who we don’t associate with his performances, for example, in menhausen, the same menhausen, when inna churikova appears, for example, in this troupe, she appears, but why don’t you connect her with the theater, she came in the seventy-third year, because that she doesn’t play in other films by marko anatorevich, apparently that’s why it seems that she belongs to panfilov’s cinema, right? of course, the beginning, yes, there is no ford in the

almost have to write to the minister of culture. which were filmed by yankovsky, abdulov, there , karachentsevse were the leading actors who were kept in the repertoire, and then it is clear that in order for spectators to come to the theaters, spectators still go to see their favorite faces, so he always filmed all his actors, so he tried somehow, so that... they become popular, famous , famous, what happened, in my opinion, is all the more interesting when among this series of familiar, beloved faces, again, whom we think of as zakharov’s corpse, conditionally, even in movies, on television, suddenly faces appear, which we do not associate with his performances, for example, in minhausn, that same omenhausen, when inna chyurikova appears, for example, in this... troupe, why don’t you connect her with the theater? she came in '73? because she doesn’t play in other films by mark anatolyevich, apparently that’s why it seems that she belongs to panfilov’s cinema? yes , of course, the beginning, yes, there is no ford in the fire , basically, of course, the beginning, but after watching the beginn

karachentsev, he said, i don’t want to do it ourselves, somehow, ourselves, ourselves with the directors still go to see their favorite faces, so he always filmed all his actors, so he tried somehow to make them popular, famous, famous , what happened, in my opinion, is all the more interesting when, among this series of familiar, beloved faces, again, whom we think of as the zakharov troupe, conditionally, even in cinema, on television, faces suddenly appear that we we don’t associate it with his performances, for example, in minhausen, the same menhausen, when you appear, let’s say, in this troupe , why don’t you contact her? and his, you know, his unhausen intonations, when what was happening there, at the beginning celebrations were planned, then arrests. and then we decided to combine, we have a fragment also from the same menhausen with another legendary phrase, uh-huh, 7:00 in the morning, the clouds clearing, the weather is good, which shows, as luck would have it, today there is a clear sky, that is, in the morning there really was fog, but then it disappeared, you want to say

this place, probably , it somehow helped, my father came and pulled karachentsev from... under the stagecessary for the audience to come, so that there are popular artists, and they need to somehow build a theatrical acting career, and he began to make films, so 12 chairs...