eighty-four-year-old stuntman stunt director alexander mikulin cinematographer of films courier and the karamazovl be many employees here, many people who have given most of their lives to this studio, we are making this holiday for ourselves. almost 2 thousand full-length films were created in the mastfilm pavilions, on which more than one generation of moviegoers grew up. isenstein and torkovsky worked here. bandarchuk and rolan bykov. massfilm created oscar-winners moscow doesn’t believe in tears minshova and dersuuzala kurasawa. having won the palme d'or, kolotozov's cranes are flying , popularly loved paintings by gaidai and erizanov, solovyov and daneliya, mikhalkov and govorukhin. the golden collection of mass film, that’s exactly the name of an entire tv channel, loved by millions of viewers, on the air of which the centenary will be celebrated all year long, it is one of the pillars of our cultural memory and the entire world culture. all our leading masters. news from mass film. well, at this good event, i, alexander krevsky , say goodbye to you, all the best to you. well, after short a

stuntman stunt coordinator alexander mikulin director of photography for films the courier and the karamazov will be a lot of employees here, people who have given the most. this studio has its own life, we ourselves, for ourselves, make this holiday. almost 2.0 full-length films were created in the mastfilm pavilions, on which more than one generation of moviegoers grew up. isenshtein and torkovsky, bandarchuk and roland bykov worked here. oscar-winners were created on massfilm . moscow doesn’t believe in the tears of minshova and dersuuzala, kurasawa. kolotozov's cranes are flying, winning the golden palm; the popular paintings of gaidai and ryazanov, solovyov and daneliya, mikhalkov and govorukhin. the golden collection of masfilm , this is the name of an entire tv channel, loved by millions of viewers, on the air of which centuries will be celebrated all year long, this is one of the pillars of our cultural memory and the entire world culture, all our leading masters, torkovsky, menshov, gaidai, rezanov, mikhalkov, we basically restored the paintings, they certainly look new, next years

stuntman and stunt coordinator alexander mikulin , the film courier director of photography, and the karamazovv. there will be a lot of employees here, a lot of people who we gave most of our lives to this studio, we are making this a holiday for ourselves. mosfilm is everything, at least of my generation, i think. if not for everyone, then for very, very many, this is a symbol of quality, a symbol of uniqueness, so many great masters walked along these corridors. almost 2.0 full-length films were created in the massfilm pavilions, on which more than one generation of moviegoers grew up, isenstein and torkovsky, bondarchuk and roland bykov worked here, oscar-winning films were created at masfilm moscow does not believe in the tears of minshov and dersuuzala, kurasawa, who won the golden palm; kolotozov’s cranes are flying. and all the people’s favorite paintings by gaidai and ryazanov, solovyov and daneliya, mikhalkov and govorukhin. the golden collection of mass film, that’s exactly the name of an entire tv channel, loved by millions of viewers, on the air of which the centenary will be celeb

working on the restoration, now on, and he was the second cameraman in the film by ivan pyrev, the karamazovaev shot a huge amount wonderful. in 1944, during the war, my mother brought me here, the first person she met , she said, was from izrenshtera, he saw me , said, he says, this is volodin’s son, she says, yes, he says, it’s indecent to be so like your father, since then, i have been attending mass films, i wish you all that you have the same happy fate as me, because a lot depends on fate and how life turns out, here it is for me... very wonderful for me because besides that besides that called karen, i of course should be grateful to sakharov, lyosha, with whom i shot many films, including a young peasant girl, i should also be grateful for misha kazakov, for the pokrovsky gate, which he invited me, which we made a film about love, everything - about love, because this is the most important thing, thank you, thank you very much karan georgievich, thank you, thank you, so who should i give the microphone to, it’s take the microphone with me, you can take the microphone with you, if any

complexity of man to the bottom, this one already had a cooker scooping it from the bottom, the karamazovrent, i want to remember anyway, because in fact , the point is that it is about love, this is the love that the apostle paul, the letter to the corinthians, of course, if you allow, i will add, of course, of course, love, but i would also put a dash here, for russia, anton, as we say it, somehow you immediately understand from this, somehow, although you are right, i am not saying that you are wrong. will mark, well, not even the end, but will end the conversation, which, of course, so curious that i think that we will meet here more than once, and today, of course, we realized that fyodor mikhailovich dostoevsky, like 150 years ago, like 200 years later, in the future, will be relevant and important, because they argue about him, they talk about him, i am very grateful to my interlocutors today, the director, people's artist of russia vladimir ivanovich khotyanenko, thank you, vladimir ivanovich, see you, thank you, they gave a reason, very grateful, of course, to anton shagin, actor

correctly , there can’t be just one prayer, otherwise it’s boring, so it must be a critic, says the karamazoveep thought. belarus, in principle, is a european country , let’s compare it with hungary, slovakia, slovenia, the baltic states, this is a country that is developing its culture on this territory, it is clear that in the global world it is still no different there from the pan-european, from the american, from the russian one, and we live in the same thing, we live in the same way, another question is that we owe this story. be or milestones, but in general consists of modern, ordinary life, so in general there should be different scenarios. and you know, here i am, in continuation of the previous thought, i returned to the origins, to aristotle. aristotle wrote: in art the beautiful must be beautiful, the ugly must be beautiful. and when you watch a work of art, be it a film, be it a play, and you see. dirt, open dirt, dirt, this contradicts the basic concepts of the origins of art, which should be beautiful even in its dirt, like dostoevsky’s sonya marmeladova, so let me now hype, t

this, he’s not stupid, you know, these roots are much deeper, unfortunately, read dostoevsky, the karamazov there ’s a wonderful character in quotation marks . then they chased power, got on a bicycle, and somewhere else the deputies transformed, this is what patriarch kirill said correctly, you confirmed this, the struggle of good and evil, the devil, i don’t want to use these high or crude or low formalities, but this is really human nature, it is twofold, it has dark, light, and civilization - this is what develops the light, rises, yes, but evil, anti-civilization - these are the fascists. there is a famous parable, yes, the devil and the apostle paul met, yes, i’ll tell you briefly, and the devil says: look how many are following me, and how many are following you? what was the apostle's answer pavla: so you call down, and i call up , where it’s easier to go, so weak little souls, low, yes, unable to rise up, these are the types, they go there, and it can be massive, and that’s what we have to do fight to help good, because... there is much more good in human nature, everyone is born a

, he’s not stupid, you know , the roots are much deeper , unfortunately, so read dostoevsky, the karamazovthis is smerdyakovism, remember, smerdyakov said, here came one good, smart french nation, they wanted to capture us, but they didn’t. it's an inferiority complex, it's idiots, that’s what his core is like, who imagined what his roots are, someone died, an instrument, there’s someone standing behind him. this is what develops the bright, it rises , yes, but evil, anti-civilization - these are the fascists, there is a famous parable, yes, the devil and the apostle paul met, but i ’ll tell you briefly, and the devil says: look how many are following me, and how many behind you, what was the answer of the apostle paul, so you call down, and i call up, where it is easier to go, therefore weak souls, low, yes, unable to rise up. these are the types, they go there, and it can be massive, and we must fight precisely against this, help the good, because there is much more good in human nature, everyone is born a beautiful, innocent, good person, and they can only be spoiled in the future , whe

eighty-four-year-old stuntman, stunt coordinator alexander mikulin , cinematographer of films, courier and the karamazov many employees here, people who have given - most of their lives to this studio, we ourselves we make this a holiday for ourselves. mosfilm is everything, at least of my generation. i think that if not for everyone, then for very, very many, this is it. this is a symbol of quality, a symbol of uniqueness; so many great masters walked along these corridors. almost 2.0 full-length films were created in the massfilm pavilions, on which more than one generation of moviegoers grew up. isenshtein and torkovsky, bandarchuk and roland bykov worked here. masfilm created the oscar-winning moscow doesn't believe in tears minshov and dersuuzala, kurasawa. palme d'or winners kolotozov's cranes are flying, popularly loved paintings by gaidai and ryazan. the continuity of generations of thousands and thousands of our filmmakers is manifested in today's triumph. ivan kudryavtsev, dmitry pavlov, mikhail namirovsky, anastasia chernikova, vitaly poretsky, inna zolotareva and olesya shempel. news from ma