thank you, karen georgievich, i also need to say a special thank you to karen georgievich for restoringcomplex, we have the opportunity, these are the masterpieces that we have today... and we saw, yes, to look at it in a quality worthy, yes, of the modern day, and now i would like your colleague, so i think that you will recognize him in the first row, nikolai vladimirovich nemolyaev, just the cameraman of the film courier, who is working on the restoration, now on, and he was the second cameraman in the film by ivan pyrev, the karamazov brothers, nikolai ivanovich nemalyaev, nikolai vladimirovich nemalyaev shot a huge amount wonderful. in 1944, during the war, my mother brought me here, the first person she met , she said, was from izrenshtera, he saw me , said, he says, this is volodin’s son, she says, yes, he says, it’s indecent to be so like your father, since then, i have been attending mass films, i wish you all that you have the same happy fate as me, because a lot depends on fate and how life turns out, here it is for me... very wonderful for me because besides that besides tha

on the eve of the anniversary, we met with the head of massfilm, karen georgievich shakhnazarov.f this film by boris mikhin is accepted count down the birthday of the mass film. after 7 years, the main building opened its doors. in the fifties, the studio was able to produce 40 films annually. the next two decades can be called golden. it was during these years that bondarchuk’s war and peace took place. dersuuzala kurasawa and moscow does not believe in tears minshova receive their oscars. it was then that soviet spectators watched the operation. the diamond hand of gaidai, afonya danelia - official roman rezanov. i think. the time was still the pinnacle of mass film and our cinema in general. if we talk about the creative component, then, of course, those times were extraordinary. then perestroika happened, the collapse of the ussr, the nineties, the film studio, like the entire industry, in ninety-eight, when karen shakhnazarov took over the management of masfilm, was in serious condition. the walls and the one that barely stood there, the entire infrastructure was destroyed,

golden eagle award and karen georgievich, i guessed right, yes, we invite the stage, the general directorkers in the room, everyone in one way or another went through massfilm and for me, of course, this is also the case, in general, i worked for half the time, centuries, in massfilm, listen? what have i not seen here, this is a very cheerful, beautiful studio, but i would like to say what i wish, modern mass film is radically different from the mass film that i came to 50 years ago, in the mid-seventies, it is , of course, technological very modern. v in this sense, of course, it is much superior to the studio where i started working then, but if we talk about technology. are certainly very important in modern cinema , especially since it is developing, people simply won’t watch if the picture is not made modernly, at a non-modern technical level, but of course, i remember the mid -seventies, when i came, because it was, well an extraordinary time in terms of creative ideas, extraordinary artistic ideas were born here, i think this was the pinnacle... both of mass film and in general sov

difficult director can invite a difficult artist to this picture, so i am incredibly grateful to karen georgievicht firstly, this is my team. i had an amazing team on this picture, i have great assistants, tanya korableva, ruzana ognisyan, i have great directors, the level of cabinet makers, zagorulki, my magnificent vlad and denis zagorulka, you can’t imagine what amazing prop designers and prop artists worked on this picture, these are natasha and tolya. they said thank you to the costume designers , they won’t say thank you to these people either, there were also people in this picture who invested a lot in the visual solutions, these are the makeup artists, this is the second year, unfortunately, there is no golden eagle award for this nomination, so petya gorshenin and tatyana melkomova, thank you very much and... the third thank you is the film academy, but for what? here are all three films, really worthy , that were nominated for this award, in this particular nomination, and i’ll tell you honestly that it’s a great honor to be nominated already, there are people who worry about it and con

and so on for 12 hours, well, that’s why i didn’t see anything today, but you you see, here is karen georgievichgeneral, a long, long, long time, full of desire, complete success. how you were, how you remained , orestitiously, a dashing cossack, why, why did you meet again, why did you disturb my peace, why again, for your losses, do you want to blame me, he ’s only to blame for one thing, that i don’t have the strength to forget your fate , with your fate, even if i couldn’t connect it, but i... i lived, i lived home during the day, i have been waiting for you for so many years, waiting for the time to come, for you to return, and... bitter to me, bitter are your reproaches, my ardent, my stubborn one! oh, your tricks are bitter, my hot one, my stubborn one, but you disappeared, you didn’t think of it, you rushed off into the distant darkness, what... you were, so you remain, but you are coming to me like this, but such a feast for me. pelogea and the famous song of isa dunoevsky from the film kuban cossacks. and it was a live horse? of course, our tv viewers could see how she enters here thro

favorite, actor maxim overin and wonderful actress, singer and tv presenter aglaya shilovskaya, karen georgievich, and i dream of a new role, yes, and one that will definitely fall into the hearts of the audience, isn’t it true ar georgievich, yes, in the next century, we agreed, let them be on the screen real heroes, such strong men with a wonderful sense of humor and charming. also, and most importantly, may love always win in the new year, in life in cinema, happy new year, happy new year, happy new year, happy new year, happy new year, the parade of favorite songs, i would say the most beloved, continues the song moscow windows, and the parade of favorite artists, is continued by people's artist of russia, igor vernik. here again you are darker than the sky, here the windows are lit in the dusk, my friends live here, and with bated breath, i peer into the night windows, my friends live here. breath, but i peer into the night windows , i can dream under the windows, i can read them like books, keeping them for the poor light, exciting and beckoning, they look at me like people, cherished... ke