a high-profile premiere at the karenin theater of the nation is a process staged by alla sigalova and performance of research , a performance, a puzzle, where the audience looks at famous stories and characters from an unexpected angle, stylishly boldly subtly and sensually , such a theatrical work turned out. our correspondent was convinced of this. christina levieva. she saw everything first. the court is hearing the case of a young woman, who committed a desperate act, the depth, her souls are always before the open times. vronsky karenin and anna, they will not only have to testify, let all the events of tolstoy's novel go through themselves, experience more betrayal , remember how passion was born and died out, the director of the play karenin's trial alla sigalova, and she herself enters the stage as a prosecutor from the parties. she seeks the absolute truth. but after all, each she has her own three personalities, three life positions, three forms of love, in general, the whole situation. it was important. putting these three three heroes in a situation where they are forced t

just a very stylish, bold, subtle and sensual work , everything is about the premiere in those 13 karenin staged by alla sigalova. this is a new look at the heroes of tolstoy, a new reading of their psychological portraits of family sorrows and the search for happiness, our correspondent kristina levieva. i saw one of the first. the court is hearing the case of a young woman who has committed a desperate act, depth, her souls are always open before me. now it was closed. the defendants are three vronsky karenin and anna, they will not only have to testify , let all the events of tolstoy's novel go through themselves, experience more betrayal , remember how the passion was born and died out , the scandal can break out the director of the play karenin's trial, alla sigalova, and she herself enters the stage as a prosecutor from the parties. she seeks the absolute truth. but after all, each she has her own three personalities, three life positions, three forms of love according to the testimonies of the subjects. this situation was painful for all three. this is a perspective that exacerbate

and vronsky karenin and anna, they will not only have to testify, let through themselves all the eventsvel, experience more betrayal , remember how passion was born and died out , burst into a head and herself enters the stage in the role of a prosecutor from the parties. she seeks the absolute truth. but after all, everyone has her own three personalities, three life positions are three forms of love situation. it was important. to put these three three heroes in a situation where they are forced to answer for what they did xra. pkoy deep has not been solved. she wanted not to pretend and defied the world and its law when i got into the carriage. i threatened with difficulty holding back tears, preparing for the performance, the artists immersed themselves not only in the image , but also in the context of the time in which the heroes of the time lived, in which divorce did not allow, because it is the collapse of a woman's fate, emptiness and hopelessness your wife does not need alla mikhailovna pulled out a lot from the legislation of that time, just the release of the law on the div

elizabeth of the capital's youth theater okay, the award to the actor anatoly grigoriev, his role as kareninognized as the best. anna karenina was staged by the novosibirsk theater, an old house. awarded the production of war and peace of the vakhtangov theater of the capital, as well as the play petersburg drama theater named after tostonogov, the main role in it was played by a brilliant, not for the mustachioed, also special prize for creating the image of a russian woman, the most beloved role in my whole life, because i play my grandmother and my mother and myself and all of russia in it modestly so. on the same wavelength co-servers for 30 years now celebrates autoradio's birthday melody with soul dialogue with those who are driving a huge audience and star fans all this is a component of the longevity and popularity of the radio station about those whom brought together by road music olga bolotova on the way to work after a busy day or on a long journey. for 30 years now, radios invented for those who listen while driving are very pleased all over the country that the most modern new

triumph of the seventh match of the final for the president's cup 2022, you probably remember the karenin moment passed perfectly where metallurg put on a show that this season, what is called mazda really want it. semi-final metallurg led the exit rather modest miner 2.0. after all, on this stages are usually much thicker on the events put the most legendary mikhnov. the goalkeeper of the metallurgist became the main character, samoilov repelled all 30 shots and issued such an authoritative shautau to the cold-blooded of all dmitry kravchenko asks about the miner in this series. what are the expectations from this meeting ? zlobina soligorsk is not stolichny dynamo for you. forgive the hockey show-off, the team live in the rhythm of their fans, who create a full house after a full house. metallurgist steelworkers miner artisans of deep mines all these video fragments are just an illustration from here on the ice. not a game at all. and almost the battle for survival is still a confrontation between youth of the neman, there is not a word in the second semi-final, but we will definitely t

this is a much more refined thing, and than a on karenin, all the more there is no war. about their otzhimurat and father sergius and the death of ivan ilyich sunday, how would it be another sin to perceive this as really such a detailed moralizing, which, but yes, really is sunday. this is a novel where the author stands behind each character and breathes into the back of his head. it is felt, but in this there is also, uh, no, the avant-garde of this thing is definitely definitely avant-garde, yes, because when you feel all the time, this is the breath of the author. here you get a slightly different impression. let's say in the root bath you rarely feel tolstoy's breath when he condemns someone or someone. oh well, on sunday, in this respect, an interesting thing on the avant-garde of the eternal, it acts differently and the impact can be compared, but let it be forgiven me. spectators, but with the impact of a black square compared to madonna rafael we have it it's hard to love, like mm something attractive beautiful graceful. yes, probably so. well, probably, yes, a

this is the premiere of karenin's performance an eternal classic through the lens of divorce.ctor of the play, alla sigalova. such a multi-layered character, at some point you start to look back at this character and think about this. there, i look like her. are you terrible or what? oh, i look like her here. this is a wonderful heroine, then loves, then hates the root. well, she is so brave. uh, well, i'm not like that after all, i 'm more meticulous, everything is weighed 300 times. uh scary. this is how backhand live at the heart of the plot familiar to everyone from school history, love triangle and family eternal questions of hell and responsibilities , the heroes burn with passion and go crazy with jealousy. you're always so unpleasant to you that i'm bored of you unpleasant that i hung. each character has his own truth and his own opinion, the trial mixed with flashbacks about how it really happened , the characters themselves will tell the easy way forgiveness. white sets and black suits life death the space around the characters is constantly changing closer to the de

she ended up in a whatsapp in this cage and couldn’t get out of it, and after all, both vronsky and karenin experiencing their tragedy how to help once beloved a woman in her frank misfortune, how not to go crazy, keeping up appearances and how to find the strength to forgive? i saw her. forgive the very mystical roman , the most mystical roman nikolayevich may be in this it is some kind of understatement e a huge number of possibilities for interpretation. and uh, that's why its strength in its secret is absolutely minimalism - black and white space is split into two mirror parts at some point, the stage becomes literally perpendicular to the floor and each of the characters seems to be. and alla sigalova admitted, read roman went from absolute love with anna yes to her most severe condemnation. and vice versa that is why this image of a woman still excites and beckons her here some special some such infernal not for nothing that the prosecutor utters. words of tolstoy the cruel and terrible beauty of the lord the jury i was jealous of him not to be a woman, but to reduce his love in the p