mine, barbara kasten, who is using a lot of polaroid material, introduced me to someone there. and, literally, i would call up an -- andlivan isn't say, can i get some fx70 film? and the next day one or two cases would arrive. eventually, she saw some of my work with cowboys, and proposed doing a show at the kennedy cambridge, that polaroid sponsored. and i had started to use the 20x 24 camera. in those days, and exposure west when he five dollars. ms. marsh: can you describe, for what who do not know, - camera is? mr. levinthal: is about the size of a refrigerator, with a vice grip holding something together on the side. it was an amazing process, because in about a minute, you would peel this apart and have your final image. $25 perd, it was around exposure. and polaroid would subsidize you. they would give you a free day at the studio, and 30 exposures. $25,eyond that, it was which was less than it would cost to make a ceva chrome -- c ibachrome print. so i became enamored of that. and connie offered me a show. and this is something i never had a curator do for me. she calle